PSA: First Stage Urges You To Travel Back In Time With “The Dinosaur Play”!

From our friends at First Stage (this one looks like a lot of fun):

TRAVEL BACK IN TIME FOR A PREHISTORIC ADVENTURE WITH FIRST STAGE! 

Hatch a dinosaur egg, befriend a Triceratops and face thrilling challenges in this interactive theatrical experience for young explorers and their families. 

MILWAUKEE — First Stage — one of the nation’s leading theaters for young people and families — invites all explorers to embark on a thrilling journey back to when dinosaurs roamed the Earth in THE DINOSAUR PLAY! As an audience member, you’ll be called upon to help a dinosaur egg tapping out a call for help, befriend a surly Triceratops, protect a newly formed dinosaur family, take on a Tyrannosaurus Rex, and so much more!

THE DINOSAUR PLAY runs Jan. 18 through Feb. 16, 2025, at the Milwaukee Youth Arts Center’s Goodman Mainstage Hall. Tickets are available now on FirstStage.org.

“We invite our youngest audiences and their families to travel back in time for The Dinosaur Play,” said Jeff Frank, Artistic Director at First Stage. “In this participatory play, audiences in the intimate Goodman Mainstage Hall will be asked to help two hapless humans trying to come to the aid of a giant egg. Humor, danger, heart and adventure – this play has something for everyone.”

Widely celebrated for its ability to engage and inspire audiences, THE DINOSAUR PLAY ignites a love of science and natural history. In addition to its educational value, the play fosters social-emotional learning with themes of cooperation, empathy, and teamwork – making it an unforgettable experience for all.

Audiences are invited to arrive early for engaging pre-show educational activities designed to immerse them in the experience and prepare them for their journey into the past!

The show runs approximately 45-50 minutes, with no intermission. Recommended for families with young people ages 3-9 and theater lovers of all ages. 

This production’s Pay What You Choose Performance is on Saturday, Jan. 25 at 3:30 p.m. the Sensory Friendly Performance is on Saturday, Feb. 1 at 3:30 p.m., and the Sign Language Interpreted Performance is on Sunday, February 9 at 1:00 p.m.

First Stage: The Young Company Brings Us, Shakespeare’s The Tempest

I came to love Shakespeare while in high school. First via a PBS rendition of Hamlet and then their broadcast of the BBC’s An Age of Kings, a serial based on the history plays. Or maybe it was the other way around. But my faith in William Shakespeare abides. Of course my favorite play has changed over the years from Hamlet to Macbeth to more recently The Tempest…which brings us to this happy event…the Young Company’s presentation of The Tempest in their black box theater in the round at the Milwaukee Youth Arts Center!

And just a moment, let me remind you about the Young Company. They are the older group of actors at First Stage. Generally high school age they present challenging adult oriented plays with minimal sets and costuming. There are seldom any adult actors on stage and the plays are driven by the action and the text: very very effectively. Last spring’s, An Enemy of the People by Henrik Ibsen for example.

(left to right) Elena Marking, Josie Van Slyke, Sophia Bernhardt, and cast in
THE TEMPEST. First Stage Young Company, 2024. Photo by Paul Ruffolo.

So, let’s take a look at this minimalist perspective. If you look at the photos you’ll see that our stage is a central collection of steps. These steps acted as a dais, bed, rock, threshold and all manner of things under heaven. And Costume Coordinator Michelle Verbos primarily outfitted the cast in simple and elegant items in white. All the better for Director Marcella Kearns to tell the story of the The Tempest through words and movement.

And what a lot of expressive movement and motion, something that First Stage does exceptionally well on all of their stages. Director Kearns and Fight and Movement Director James Cheatham bring out the drama and pathos that Shakespeare has provided with a very active cast. At points the motion is more dance than drama and it keeps the focus on the cast and action…if you turn away for a moment you will surely miss something grand! There can be more life to Shakespeare than you would imagine when done right…and the Young Company cast here was certainly into it.

At the center of any good The Tempest is a regal and determined Prospero. And as Prospero, Silver Anderson has a stage presence that brings out the mage and the vengeful and the loving and forgiving character traits of the character. From stirring the sea like a pot of soup into The Tempest, to playing matchmaker to Miranda and Ferdinand, to bringing reconciliation to the conflict between Prospero, his brother, Antonio, and the King of Naples, Anderson strikes the proper balance in each scene and moves easily from one pose to the next. They may be too overconfident in knowing the text however, because they sometimes spoke so fast that we had a hard time hearing what was being said.

Silver Anderson in THE TEMPEST. First Stage Young Company, 2024. Photo
by Paul Ruffolo.

Abram Nelson and Alice Rivera bring the included love story to the stage as Ferdinand and Miranda…as Prospero’s magic brings them together…they instantly are lost in the moment and never wonder how this all came to pass. And Maya Thomure captures the resistant and loutish Caliban and just can’t wait to betray her enslaver, Prospero, to the drunken sailors. Even in the face of red flags that seem to suggest that they aren’t quite the ‘gentlemen’ that they appear to be.

Silver Anderson (top center), Alice Rivera (bottom left), Abram Nelson (bottom
right), and cast in THE TEMPEST. First Stage Young Company, 2024. Photo by Paul Ruffolo.

The most enchanting portrayal on this stage is Josephine Van Slyke as Ariel. Whenever she is in a scene, she tends to steal it, even when she doesn’t have any speaking lines. When off to one side or another and just observing the action in front of her, Van Slyke employs any number of slight physical tics or corvid like head twists to let us know that she is a sprite and not a human presence. And throughout any of the action, she is nimble and graceful and just sweeps across the stage in some of the most dance like moves among the cast. And her confidence in the opening stage of the actual tempest, as she destroys the ship and hinders the crew in their efforts to save the day, is the most fluid fight scene that you will ever see. And then there is her voice…at once eerie, haunting, and compelling…it is no wonder that sight unseen, she is able to lure the stranded sailors to whatever purposes that Prospero has for them.

Amélie Davis-Quiroz (center) and cast in THE TEMPEST. First Stage Young
Company, 2024. Photo by Paul Ruffolo.

The Tempest runs through December 15. 2024 at the Milwaukee Youth Arts Center. It runs for about two hours and includes a short intermission. Recommended for families with young people ages 13-17 and theater lovers of all ages. Additional information and ticket ordering can be found here!

And as always, Extra Credit Reading: the digital playbill. The playbill includes cast listings, etc.

Milwaukee Rep Continues A Cherished Tradition With The 49th Anniversary Of ‘A Christmas Carol’!

For me at least, the Christmas Season doesn’t truly get underway in Milwaukee until the Milwaukee Repertory Theater’s presentation of A Christmas Carol opens at the Pabst Theater. Even though you know the story, this adaptation by Director and Rep Artistic Director Mark Clements is the one to see. And even if you have seen it recently, this would be a good year to make the time to see it again. I felt some extra magic this year…yes the story is unchanged although Clements version brings the core story cleanly to the fore. And the set and lighting once again put us in awe of the theatrical spectacle brought to bear in the elegant Pabst Theater.

The Cast of A Christmas Carol. Photo by Michael Brosilow.

Yes, there is all that but certainly much of the magic is from the cast itself. Clements has always excelled at bringing the Dickens’ characters to life with just the right actors. And this year of course is no exception, but for me the cast felt immensely connected and involved than ever. Bravo.

Matt Daniels and Mark Corkins. Photo by Michael Brosilow.

But A Christmas Carol would be impossible to make real without the ideal actor in the role of Ebenezer Scrooge. And the Rep is fortunate to have the very popular and ever versatile Matt Daniels for their Scrooge. After a number of years in the role now, he simply inhabits Scrooge. From the initial sinister Bah Humbug persona at play’s open to the defiant old sod in the face of Marley’s Ghost and the Ghost of Christmas Past to the fearful and resentful toy of the other Ghosts to finally the jubilant Scrooge who’s found redemption, Daniels doesn’t seem to be acting at all. Hopefully he’s feeling as much joy in the role as the joy he is giving the audience so that he stays the course in the future.

Matt Daniels and Kevin Kantor. Photo by Michael Brosilow.

And beyond the perfect Scrooge, the story is untold without a proper Marley’s Ghost or the other Ghosts of Christmas. Mark Corkins returns as Marley and feels the weight of his chains and puts the initial scares into Scrooge quite effectively. A ghostly presence not easily forgotten. The Ghost of Christmas Present makes a startlingly eerie entrance at the start of Act !!. In his glowing green satin Santa inspired costume, Todd Denning just dominates the stage…appropriately dominating a now very fearful Scrooge.

Kevin Kantor. Photo by Michael Brosilow.

But it is the Ghost of Christmas Past that is the pivot point in our story. Keven Kantor looms large over the stage and sets a high bar for the other ghosts. Controlling and mocking Scrooge, they easily move from a soaring and screaming Valkyrie like presence to a booming and dominating spirit who finally breaks Scrooge’s defiance.

Reese Madigan, Matt Daniels and Jordan Anthony Arredondo. Photo by Michael Brosilow.

Two other stand out characters are of course, Fred, Scrooge’s nephew, and Bob Cratchit. Reese Madigan does an outstanding job as the resilient Bob Crachit, from subservient clerk at Scrooge and Marley, to doting father at home. And Jordan Anthony Arrendondo is ideal as the effervescent and social Fred, even in the face of his uncle’s various Bah Humbug retorts.

Clements’ version of Dickens’ London is aswirl with constant movement, song, and dance. From the many carolers, townspeople, the staff at Fezziwig’s, to the alms collectors, there is always activity as befits a major city street. All the more events to keep us focused on the story being told.

Luke Drope, as Tiny Tim, and the Cast of A Christmas Carol. Photo by Michael Brosilow.

A Christmas Carol runs from now through December 24, 2024 at the Pabst Theater downtown. Additional information and ticket ordering can be found here. Run time is about 2 hours and 10 minutes including one intermission. Recommended Age: 6 and up.

Extra Credit Reading: Program for A Christmas Carol is here.

All photos courtesy of the Milwaukee Rep.

Added note 12/4/2024: Extra Extra Credit Reading: A little tidbit from Jim Higgins at The Milwaukee Journal Sentinel about the history of some of the props in A Christmas Carol.

And yes, it still snows inside the Pabst Theater on ‘Christmas’!

Matt Daniels., and the Ghost of Christmas Future (Gabriel Armstrong). Photo by Michael Brosilow.