With ‘Go Dog Go!’, First Stage Presents Dogs At Work and Dogs At Play!

This is an absolute marvelous bit of silly! Yes!!

But before we dip into the fun, let’s talk about the serious stuff. This is a bilingual play and it’s Spanish title is Ve Perro Ve! Don’t let this intimidate you. There is no actual story and no complex dialogue. And most every line is spoken in English and then Spanish or in Spanish and then English. So worst case scenario, you learn a few more vocabulary words. And quite frankly, the story will unfold and you will have just as much fun even if you don’t speak either language.

(L to R) Sarah Zapiain, Valentina Vega, Savannah Carlson, Mia Raines, John Sajdak, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

This is the opening show in First Stage’s 40th Year. And they’ve stumped me again by presenting a play based on a children’s book that I was not familiar with. A very popular book written by P. D. Eastman which has been adapted for the stage by Allison Gregory and Steven Dietz. The work was translated by Ana Maria Campoy. This is indeed a musical and the music was composed by Michael Koerner.

So let’s get back to this marvelous bit of silly that director Michelle LoRicco has brought to the stage. First, this show is recommended for age 3 and up and LoRicco has certainly channeled her best three year old self and has clearly communicated with my inner three year old. Bravo! What that means is this show is fast moving and bright and playful and the music is warm and sincere and silly! How LoRicco blended all of the personalities of the characters and the music and the limited story is a delight for sore eyes. So I said story and no story? Well:

(L to R) John Sajdak, Valentina Vega, Charlie Machata, Sarah Zapiain, Ellie Gutierrez, and Mia Raines. Photo by Paul Ruffolo and courtesy of First Stage.

There are seven characters in Ve Perro Ve! All seven of them are dogs: red dog and blue dog and yellow dog and green dog and MC dog and spotted dog and Hattie. And maybe you could say this play is tri-lingual because sometimes the dogs speak or sing in English, and then Spanish, and sometimes in just, well…dog. And the story is just a series of skits or events that seamlessly flow from one to another. And our dogs work hard building things with their prop hammers and saws and screwdrivers. One of the best bits in the work session is riveting (pun intended), as each dog takes a turn trying to control a jack hammer. High humor indeed.

Other bits include a game of baseball, played for high humor, and high action. A car race! A visit to a carnival with a Ferris Wheel and roller coaster. A swimming session. I didn’t know that dogs could climb trees, but our favorites here manage to do exactly that. And a particularly apt segment for all of the parents and grandparents in the audience, is when the MC Dog tries to get all of the other dogs to call it a day and go to sleep, but instead we have dogs at play!

If you have been following my coverage on First Stage or are familiar with them, you know that the plays that feature their younger actors run with two casts. These casts alternate appearance dates. So if you plan on seeing a particular young actor, check in at the links below, and make sure you select a date when they will be performing before you buy your tickets. I saw the El Pequeno cast.

Sarah Zapiain. Photo by Paul Ruffolo and courtesy of First Stage.

The one character and one actor who will be present in all of the performances is MC Dog played by Sarah Zapiain. Zapiain is the only adult in the room, quite literally. She directs the other dogs in much of the action on stage, tries to get them to go to sleep, and keeps an eye on the red light/green light. She is a perfect MC Dog and just a delight from start (when she plays peek a boo with the audience) to finish in the grand finale. Her effervescence and energy are a joy to watch but keep a close eye on her, she can be subtle in her actions too.

As I said, I saw the El Pequeno cast. As always, their presence and preparation are very professional for any age actors. And this isn’t an easy play to perform, moving almost without let up from one skit to the next. And this is a musical of sorts and their solo and ensemble singing was just wonderful. There is even a song early on that injects some ‘scat style’ non-sense syllable singing and they all nailed it. As a baseball player, I loved Mia Raines’, as Yellow Dog, flawless slide into second during the baseball game. Savannah Carlson as Hattie, certainly stood out as a very confident and skilled actor. After MC Dog, Carlson’s Hattie is a stand out performance.

(L to R) Elzie Flenard . IV, Rosemary Marotta, and Sarah Zapiain. Photo by Paul Ruffolo and courtesy of First Stage.

First Stage’s prop, costume, and set designers are the best in Milwaukee. And they proved it again with Go Dog Go! It’s not that they always produce elaborate sets and costumes, but they often do. But that they always provide absolutely spot on sets and costumes that propel the story along while just using the minimum of attributes to identify the character or the scene. And their use of color is fascinating.

And for Go Dog Go!, the music was a delight as well. Driven by an accordion from that open peek a boo session to the grand dance finale, it fit the mood and action perfectly. At times the accordion was augmented with some percussion and a woodwind or two. And the music set the scene without being obvious but we would certainly miss it if it wasn’t there. That’s the sign of great music. Jessica Marks is the music director for Go Dog Go. It is her first First Stage appearance and welcome, I loved the music here.

So, let’s get back to the environment for just a moment. The Goodman Mainstage at the Milwaukee Youth Arts Center is theater in the round. So there is seating on all sides of the stage and the audience is never more than four rows away from the action. And for Go Dog Go!, the chairs for the first two rows have been removed and replaced with carpet squares so that younger guests can be closer to the action and squirm and wiggle to their heart’s content. The stage for Go Dog Go! is a simple raised oval dome, brightly painted with a street motif around the edges and a green space in the center.

(L to R) Ellie Gutierrez, Valentina Vega, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

This provides just the right setting for the ball game, car race, and sleep scenes. And is open enough to allow the entire ensemble to dance and move about freely as they tell their story. And how do I know that this all works? I just watched the preschoolers and elementary age children on those carpet squares around the room. They are completely entranced and engaged for the entire play. That was fun to see. The singing is made up of conversational songs or simple ensemble tunes, no boring arias to pull them out of the magic. And at the very end for just a few moments, the cast invited the audience on stage to join in the final dance segment. Fun to watch? Yes! But the real fun was seeing some children want to participate but afraid to go on stage, some just rushing out there, and the one little girl who had to be coaxed back to her seat by her brother when it was over! First Stage shows are always good theater and I enjoy that. But, as parent and grandparent, watching young people interact with theater is very rewarding too.

This show is for audiences of age 3 and up. And as I said above, these young people were fully engaged throughout the show. And at just an hour, they won’t have time to get restless or bored. So if you are thinking about introducing a youngster to theater for the first time or bringing them to a new show, Go Dog Go! : Ve Perro Ve! is the one for you!

First Stage will be presenting Go Dog Go! from now through November 1, 2026 at the Goodman Mainstage Hall at the Milwaukee Youth Arts Center just north of the Deer District. There is an adjacent free parking lot. Runtime: The runtime of this play is: approx. 60 minutes, with no intermission. The age recommendation of this play is: We recommend this show for ages 3+.

More information here! And ticket information here!

Extra Credit Reading: The Enrichment Guide

(L to R) Valentina Vega, Mia Raines, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

“Everybody Cut Footloose” That’s Footloose, Milwaukee Rep’s Musical Mainstage Season Opener

A full ensemble of 27 actors performing Footloose at open with an even more energetic reprise at the close of the show should be enough incentive to get you to attend the Milwaukee Rep’s presentation of Footloose, The Musical. But if you need more encouragement, the cast is obviously having a lot of fun and it is seriously contagious. So if you don’t have fun, it’s because you don’t know how to have fun…so sit back and take your cue from Willard.

Pictured: the cast of Footloose. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

Ethel McCormack is in sad straits. After he husband has left the family, she does not have the means to continue living in Chicago. So she accepts help from her sister and brother-in-law, but that involves moving to the small town that they live in. So she and her high-school aged son Ren, pack the car and head off on a ten hour drive, for Bomont. Once they arrive there Ren has a hard time adjusting to small town life and abruptly finds out that his favorite outlet for stress relief, dancing, is actually against the law in Bomont. Now, hopefully, I can be forgiven, given the cowboy hats and country music, for thinking we are in Beaumont Texas…I was surprised to see Bomont written on the gym attire on our youngsters at mid-play.

Pictured L to R: Galen Graff, Tarrick Walker, Manuel Abreu, Mathew Callas, Keyon Pickett. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

Ren finds out that his new pastor, the Rev. Shaw Moore, was the impetus on banning dancing following a traumatic car accident that killed four local teens on their way home from a…dance. And the pastor’s daughter, Ariel, is, of course, involved with the town’s bad boy but is curious about the new kid. Ren gets a bit of unearned notoriety as a troublemaker but eventually wins over his peers and takes on the Rev. Moore and town council and wins, allowing the big dance finale to end our version of Footloose.

Keyon Pickett alone is worth the price of admission. And you will feel his stage presence immediately on seeing his first Michael Jackson dance step. But beyond his remarkable dancing, Pickett is the real deal. His voice is a true musical instrument. From sad and questioning tunes to triumphal dance numbers, he can hit the whole range of nuance and the whole range of tones. And beyond his musical skill set, he has the chops to be a dramatic actor as well if he ever feels the need to pursue that. He’s going to be big Broadway star some day and we are lucky to have him here in Milwaukee.

Pictured L to R: Maddie Roberts and Keyon Pickett. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

The pastor’s daughter, Ariel Moore, is being played by Madison Robert. But she is only playing the role through October 11th. Robert owns this role and I certainly recommend seeing Footloose while she is still here. Robert’s Ariel is something of a free spirit and determined to do things her way and wants more out of life than what Bomont has to offer. Robert brings all of Ariel’s emotions front and center, from her love for her father, and her curiosity about Ren, and her playing the bad girl fling with Chuck. Robert too is in possession of a full, alive, vocal range and non-stop energy as a dancer and actor.

The voice that blew me away? That belongs to Olivia Hellman who plays one of Ariel’s besties, Rusty. And Rusty is a bit of a hell raiser herself. Hellman too is a remarkable dancer and actor, but her voice just fills the room and gave me chills at times. Rusty’s love interest is Willard, who after a bit of an altercation becomes Ren’s best friend. Carson Zoch is a tough talking and blustery acting young man who is just covering up his own self doubts and self perceived inadequacies. Zoch’s Willard has feelings for Rusty too but doesn’t know how to express them until Ren’s dance adventures allow him to break out of his shell. And break out is exactly what Zoch does going from stumbling bumbling to Saturday Night Fever slick in just a few moments of lessons and realizations that he CAN do it.

Pictured: Steven Koehler and Maddie Robert. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

And there are a few adult characters that I’d like to mention. Of course: Rev. Moore. For a pastor, he seems a bit domineering and officious in Steven Koehler’s portrayal. Koehler’s Moore is hard to like and it is hard to understand his motivations…until his final confrontation with Ren. A character who catches up with you is his wife Vi. She seems too compliant until you realize she is just holding back. Jackey Good is a perfect Vi and my goodness, her singing in ‘Learning To Be Silent’ with Ethel and Ariel and then the solo, ‘Can You Find It In Your Heart’, is a moving thing of beauty. Listen. And Rae Davenport as Ren’s mom, Ethel McCormack, is the calm and thoughtful and supportive mom you would hope every teen has in their life. And watch carefully as Milwaukee favorite Dimonte Henning plays a convincing high school athletic coach, Roger Dunbar.

Pictured: the cast of Footloose. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

It boggles my mind that just one person, Stephen Mear, can perform the dual roles of director and choreographer so effectively. Besides the dozens of actors, there are 18 songs which all require not just the direction of the actors but quite elaborate dance sequences as well. His version of Footloose is seamless and constantly in motion. This is where most of the fun gets made. And Rep stalwart, Dan Kazemi is the conductor (and a keyboard player) of the live band that is performing at the back of the set.

Footloose, The Musical, continues from now through November 1, 2026 at the Milwaukee Repertory Theatre’s Ellen and Joe Checota Powerhouse Theater.

Additional Information Here and Ticket Info Here

Extra Credit Reading: The Program

Pictured L to R: Maddie Roberts, Jackey Moore, Rae Davenport Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.