We’re Jammin’ at Bob Marley’s Three Birds At First Stage

And I hope you like jammin’, too!

The First Stage shows are always crazy fun and feature colorful sets and costuming and enthusiastic talented performers. And Three Little Birds is no different and this is maybe my favorite of the season…but that may be a personal bias…since I love Bob Marley’s music.

The focus of the story by Cedella Marley is a young Jamaican lad named Ziggy. And based on his limited life experience, Ziggy is nervous about the dangers he perceives to exist in the big real world outside his home…so he prefers to remain in his home and focus on the weather (one of his fears is hurricanes) and news on his TV. But his mother and friend, Nansi, eventually coax him out into Jamaica!

Cynthia Cobb and Julius Newman in Bob Marley’s THREE LITTLE BIRDS. courtesy of First Stage, 2023. Photo by Paul Ruffolo.

And unsurprisingly, Ziggy’s best friend is a bird…a very active and happy bird…Dr. Bird, incredibly brought to life on the stage by Ogunde Tremayne. What a treat to watch Dr. Bird aid Ziggy in breaking out of his fears and enter the world. And Tremayne really brings the character to life through his acting and singing and very fluid dancing. I found myself focusing on Dr. Bird rather than Ziggy whenever Tremayne came on stage.

Ogunde Tremayne and Reece Davis in Bob Marley’s THREE LITTLE BIRDS. courtesy of First Stage, 2023. Photo by Paul Ruffolo.

But despite the reassurances of Ziggy’s mother, Nansi, and Dr. Bird, there is one danger in Jamaica. A Duppy (a spirit from Jamaican folklore) who preys on young people to steal their hair to add to their own wig…believing that they needed new hair to maintain their strength and vigor. An activity that Duppy has been doing for centuries…and as everyone in the play states any number of times…Ziggy has beautiful perfect hair. And Duppy is stalking him but most frequently is frightened away by all of the activity that accompanies Ziggy and his friends. And Duppy is played by James Carrington, who gets just precisely right, the sly nature of Duppy and the humor written into the script around the Duppy and has just the right of sense of threat when he finally catches Ziggy lost and unaware. Another outstanding performance.

 James Carrington in Bob Marley’s THREE LITTLE BIRDS. courtesy of First Stage, 2023. Photo by Paul Ruffolo.

But Ziggy and Nansi defeat the Duppy through a clue from Ziggy’s mother and Ziggy’s twist on a trick that Nansi played on him earlier. It is a proper and rewarding comeuppance for Duppy and provides a liberation for Ziggy from his earlier dilemma and malaise.

And of course the story is supported and reinforced throughout by the delightful music of Bob Marley…as the cast sings and dances between the various story vignettes. One of the off stage heroes here is choreographer Sonya Thompson whose dance pieces bring the characters to the fore and move the story along…the choreography just adds to the joy in the music.

And a shout out to Costume Designer Kenann Quander who gave us the feel of Jamaica and colors and textures to please the eye…particularly for the three birds from the title and Duppy! And Director Samantha D. Montgomery utilized the thrust stage of the Todd Wehr Theater to maximum effect, moving the actors and set to the best advantage for her story and the engagement of the audience.

Ogunde Tremayne (front) and Maya O’Day-Biddle and Amirah Muhammad in Bob Marley’s THREE LITTLE BIRDS. courtesy of First Stage, 2023. Photo by Paul Ruffolo.

As always, First Stage features two casts to provide ample opportunities for their young acting corps. For Three Little Birds, the Jamaican Owls cast includes Reece Davis as Ziggy, Amirah Muhammad as Nansi, and Maya O’Day-Biddle as Tacoomah and the Jamaican Becard cast includes Julius Newman as Ziggy, Amira Harris as Nansi, and Zoe Chambers as Tacoomah. If you want to see who is on stage at any particular performance check the links below.

Bob Marley’s Three Little Birds continues at the Marcus Center’s Todd Wehr Theater through May 21, 2023. Details and ticket info here: This show is recommended for families with children 3 and older…and has a run time about of 70 minutes that includes a short intermission.

Extra credit readings:

The Playbill with cast and First Stage information!

The Three Little Birds Social Story which explains theater, acting, and the experience at Todd Wehr. A great piece for first time theater goers. And the Enrichment Guide!

Amira Harris (front) and Julius Newman, Cynthia Cobb, and Zoe Chambers in Bob Marley’s THREE LITTLE BIRDS. courtesy of First Stage, 2023. Photo by Paul Ruffolo.

The Milwaukee Rep’s God Of Carnage

Friday night, I attended The Milwaukee Repertory Theater’s opening of Yasmina Reza’s God Of Carnage. And sadly, in his opening remarks, Rep Artistic Director Mark Clements reminded us that this is the last play in the Rep’s 2022/2023 season. A season that has seemed to end far too hastily.

I think I remembered this right, but mid-play or so, Veronica says: “I don’t have a sense of humor. And I have no intention of acquiring one”! And that is about how I felt as I was walking down the stairs from the Quadracci Theater.

left to right: Adam Poss. Heidi Armbruster, Makha Mthembu, and Elan Zafir. photo by Michael Brosilow and courtesy of The Milwaukee Repertory Theater.

This is a dark, dark, dark, dark comedy. There are four characters here. Two sets of parents who meet to discuss a playground altercation between their sons. What starts as a conversation in an obvious upper middle class home…as strangers begin to get to know each other…and begin to discuss the situation, we get to meet Veronica (Heidi Armbruster) and Michael (Adam Poss) as the parents of the ‘victim’, although that term may be up for review, and Annette (Makha Mthembu) and Alan (Elan Zafir) as the parents of the ‘attacker’, also open to reinterpretation or redefinition during the play.

left to right: Makha Mthembu, Elan Zafir, Heidi Armbruster (in rear) and Adam Poss. photo by Michael Brosilow and courtesy of The Milwaukee Repertory Theater.

But everything quickly leaves the tracks and we clearly witness the destruction and abandonment of civility and maybe even the demise of civilization…well certainly at least, social and cultural mores, marriage, personal space, and the shattering of the facade of personal identity. Director Ryan Quinn pushes and pushes the characters until the play lives up to its title, God Of Carnage, yet there are no gods here.

And then it ends. I wasn’t expecting the end when it occurred…but it ends. How could this be the end?

left to right: Adam Poss and Elan Zafir. photo by Michael Brosilow and courtesy of The Milwaukee Repertory Theater.

I am not sure what the cast does to unwind each evening after their performances but I can’t imagine the intensity of emotions that they are called upon to present can simply be shrugged off at curtain close. And there is no intermission in which to catch their breath…or ours for that matter.

This play feels particularly contemporary, and I guess that it is. And it feels particularly American of the moment…but it isn’t. God Of Carnage was originally written in French by Yasmina Reza. So we are seeing it in translation…the English translation by playwright Christopher Hampton.

God Of Carnage runs at the Rep’s Quadracci Powerhouse Theater from now through May 14, 2023. Ticket information and additional details can be found here.

Extra Credit Readings:

The God of Carnage Program: I would recommend the note from Mark Clements.

And the Playguide: there are a number of key articles here that you might want to read before attending the show.

left to right: Heidi Armbruster, Makha Mthembu, Elan Zafir, and Adam Poss. photo by Michael Brosilow and courtesy of The Milwaukee Repertory Theater.