Diary Of A Wimpy Kid, The Musical at First Stage

Did you ever dream that you fell asleep doing your homework and awaken inside of your spiral bound notebook surrounded by your own scrawls and doodles? Probably not but that is the wonderland presented to us by Scenic Designer, Casey Price! A wondrous floor and back drop and proscenium defined by college ruled blue lines, red margin delimiters, and the aforementioned doodles greet us as we enter the theater. And the theme is elaborately maintained as the blue ruled motif appears across household appliances, school lockers, and nearly every other stage prop in sight. What absolute fun!

And Diary of a Wimpy Kid is probably the most musicy musical that I have seen this season. The story is told almost exclusively through song and dance, rapidly moving from solo to small group to ensemble pieces that kept the children in the audience mesmerized. Look away a moment and you will miss something…something wonderful!

So that brings me to the amazing work by Director Julie Woods-Robinson, Music Director Paula Tillen, Choreographer Molly Rhode, and again Scenic Designer Casey Price. This is a non-stop wonder, and the cast covers a lot of ground and moves a lot of props and furnishings, on top of the singing and dancing. Yet everything moves smoothly and subtly and brings the story to life! You will be amazed on how often the stage transforms from home, to yard, to class room, to kitchen, to school yard, to bedroom, to best friends room, and back and back again throughout this sixty minute presentation (there is a short intermission midway).

As I said, the children in the audience were mesmerized by this musical. Literally edge of their seats in many cases and despite the majority of the audience being youngsters, I seldom heard the usual exclamations that I often experience at other First Stage plays. And quite frankly I was feeling it more than usual as well. This is recommended for children ages 5-6, 7-9 & 10-12 and of course teens and adults.

And as I’ve said the singing and choreography are truly amazing here. But let’s get into the story a bit. Greg Heffley is the Wimpy Kid of record and feels the outsider in both his family and school. The middle child at home he’s the brunt of teasing by his older brother and a bit unseen since his parents are doting on his younger brother. Such is often the dynamics in a family and it is handled very well here. And then Greg gets to move up to middle school and hopes to reset his place in his peer group with new friends, new experiences, and a new environment. It doesn’t always go too well. So we get to share in his disappointments but trust me, later there will be some victories to savor as well. The spoken dialogue here is often between Greg and his friends in one on one conversations but more often, Greg explains directly to the audience what is happening, or how he feels, or fills us in on a little of the back story. You won’t miss anything if you keep your eyes and ears open.

PRP_4446: Ryan Stepanski in DIARY OF A WIMPY KID THE MUSICAL. Greg Heffley in the Cheese Cast
First Stage, 2024. Photo by Paul Ruffolo.

The play relies on the first book in The Wimpy Kid series for most of the story, but some bits are from later books in the series. Do you have to be familiar with The Wimpy Kid stories to enjoy the play? Oh heavens no, the story is told clearly, there are no insider plots, and there is plenty of humor peppered throughout the dialogue and songs that everyone will be laughing out loud. And yes there is plenty of applause after the big numbers. But those of us who have read the series will get a kick out of some of the stories and gags maybe a bit more and we will be eagerly anticipating some of the events about to be dramatized. But dare I bring up the cheese?

Harper Fornstedt in DIARY OF A WIMPY KID THE MUSICAL. Greg Heffley in the Middle Cast.
First Stage, 2024. Photo by Paul Ruffolo.

Just in case you wonder, the first ensemble piece that opens Act II after the intermission, Animal Heart, is my favorite. Other than just the joyous fun, it is also a bit of a send up of Euro-pop stylistic conventions! Go William Swoboda as Joshie (also Rodrick Heffley as part of the Cheese Cast), a very credible Euro-pop star indeed!

And also part of the Cheese cast, Ryan Stepanski elicited all of the appropriate smiles, shrugs, sighs, exclamations, and excitement inhabited in the Wimpy Kid! Great job.

Middle Cast in DIARY OF A WIMPY KID THE MUSICAL. First
Stage, 2024. Photo by Paul Ruffolo.

Now if you aren’t familiar with First Stage’s staging techniques, they use two full cast of young people. So I experienced the Cheese Cast and the alternates are known as the Middle Cast. So depending on which show you attend, you may see a different cast than I experienced…but your experience will be just as enchanting. So you may want to check the cast list if you are hoping to see a particular actor before ordering tickets.

Cheese Cast in DIARY OF A WIMPY KID THE MUSICAL. First
Stage, 2024. Photo by Paul Ruffolo.

Now, this hadn’t crossed my mind until Saturday as I was heading home…but Diary of a Wimpy Kid has sixteen youth characters on stage…so with two casts, that’s thirty two young performers that need to be costumed. And I bet the chances of the actors in each role being the same size is slim to none…so how does Costume Designer Jason Orlenko keep their wits about them and get this all done?? Plus the two adult actors who play multiple roles…right? Wow, just wow.

And two notes: Greg Heffley, Wimpy Kid or no, had the best black high tops on stage…I was a little jealous, or the 12 year old in me was at least.

AND: Greg wants you to know, IT’S NOT A DIARY, IT’S A JOURNAL!!

Karen Estrada (bottom left), Harper Fornstedt (center), Becket Patterson
(left), Todd Denning (center), Alex Radtke (right) in DIARY OF A WIMPY KID THE
MUSICAL. First Stage, 2024. Photo by Paul Ruffolo.

Diary of a Wimpy Kid, The Musical runs through May 5, 2024 at the Todd Wehr Theater in the Marcus Performing Arts Center. More information and ticket information can be found here!

Extra credit reading? The Program! and Enrichment Guide

Throwback Thursdays: Leading Up To Our Fourth Anniversary!

Our fourth anniversary is coming on on March 21, 2024. So to get ready for the celebration, I am going to us the Throwback Thursday trend to repost our most popular items from the past on the various social media platforms that I use. So watch for them on Facebook, X, Post, Instagram, Threads, and LinkedIn. But in case you want to take an early peek at them, here’s they are: (in no particular order)

Double Double Toil and Trouble Yields UWM’s Theater Department’s Gripping Presentation Of Macbeth!

American Players Theatre Closes 2023 Season With David Auburn’s Proof!

Milwaukee’s Kith & Kin Theatre Collective Presents Pulitzer Prize Winner: Next To Normal!

Ghostlight Theatre: Green Day’s Musical Based On American Idiot!

The Curious Incident Of The Dog In The Night-time at Lake Country Playhouse!

Lake Country Players present : Cabaret!!

Renee Cox: Yo Mama’s Pieta: In Memoriam Of All Those Recently Lost…

A Tale Of Two Cities: Notre Dame Cathedral and Hagia Sophia

Can We Conserve Time Based Media in the 21st and 22nd Centuries?

First Stage’s Young Company Presents Shakespeare’s Henry IV (Part 1)

First Stage’s Young Company Presents Shakespeare’s Henry IV (Part 1)

I am sure that I have attended a performance of Henry IV, Part 1 in the past but it was obviously some time ago. But I can’t imagine a more determined and enthusiastic presentation of Henry IV than the one performed by First Stage’s Young Company.

Thomas Bastardo, Alice Rivera (center) Maya Thomure, and cast in HENRY IV, PART 1. First Stage, 2023. Photo by Paul Ruffolo.

First Stage is well known for its boisterous colorful story telling through large ensemble musicals that feature young through adult actors. The Young Company has a different role at First Stage and Milwaukee theater in general. The company features high school age actors, often members of the First Stage Theater Academy, working through significant dramas and original plays. In many cases, Shakespeare, as we have here with Henry IV and previously with a very strong and complete Macbeth (see my response here). And instead of performing at the large Todd Wehr Theater at the Marcus Performing Arts Center, these dramas play out at the Milwaukee Youth Arts Center in a very intimate stage in the round. And since it is usually general admission here, my biggest decision is where to sit! LOL!

And given the size and intimacy of the stage, very few props or set pieces come into play, and they often are rearranged to play multiple roles on set. And this just brings the text and the acting that much more in focus for the cast and audience.

Alice Rivera (front) with Paxton Haley and Thomas Bastardo in HENRY IV, PART 1. First Stage, 2023. Photo by Paul Ruffolo.

So, Henry IV! The king is played by Alice Rivera, who maintains the regal bearing of a King of England, even in the face of doubt…as plans to Crusade to the Holy Land fall apart as a local uprising against the crown needs immediate attention. Rivera shows us a king who can rally his troops, make strategic decisions, be a bit pompous and unbending, and then be cruel in conquest.

And although Henry IV is the name of the play, the actual major character is Henry, or Harry, or Hal, the Prince of Wales and the future king. Hal is played by Maya Thomure who gives us the perfect blend of youth seeking fun and recreation away from the court, while also feeling at times the weight of his position on his shoulders, but who willingly takes up his responsibilities as a defender of the crown when his father finally calls. Of course in his rebellion against his ‘lot in life’, he has an anti-father companion in Sir John Falstaff who he loves well…although he feels free to tease him constantly.

Abram Nelson, Max Larson (center) and Elena Marking in HENRY IV, PART 1. First Stage, 2023. Photo by Paul Ruffolo.

And Lola Onorato presents the Falstaff that we expect to see in the Henry plays. Big of imposture, big in braggadocio, big in appetites, and a true friend of Hal, Onorato brings it all to the stage.

And this is a Shakespeare history play, so there is swordplay and battle scenes. Director Marcella Kearns and Fight Director Christopher Elst, have provided action galore and obviously grounded the cast in the use of epees and rapiers. The clank clank of metal on metal was a delight for any fan of Shakespeare and/or knightly combat.

Paxton Haley and Elena Marking in HENRY IV, PART 1. First Stage, 2023. Photo by Paul Ruffolo.

There is a lot of activity here and a lot of text. Kearns keeps the troupe moving and involved and they presented two hours of Shakespearean dialogue, clearly, cleanly, and engagingly! One technique that I enjoyed was at scene change, when a principal character lingers on stage for a moment longer while their cohort makes their exit…and for just a moment shares the stage with the new characters entering to take up the next scene. That small stroke added some gravitas and continuity to the action and the acting for me.

Evie Patrick and William Swoboda in HENRY IV, PART 1. First Stage, 2023. Photo by Paul Ruffolo.

Henry IV part 1 is being performed through December 17, 2023. More information and ticket info can be found here. Run time is about two hours plus an intermission. Recommended ages are teen to adult.

Extra Credit Reading: The Playbill This includes more info on cast, characters, and crew!!

Part 2?