With ‘Go Dog Go!’, First Stage Presents Dogs At Work and Dogs At Play!

This is an absolute marvelous bit of silly! Yes!!

But before we dip into the fun, let’s talk about the serious stuff. This is a bilingual play and it’s Spanish title is Ve Perro Ve! Don’t let this intimidate you. There is no actual story and no complex dialogue. And most every line is spoken in English and then Spanish or in Spanish and then English. So worst case scenario, you learn a few more vocabulary words. And quite frankly, the story will unfold and you will have just as much fun even if you don’t speak either language.

(L to R) Sarah Zapiain, Valentina Vega, Savannah Carlson, Mia Raines, John Sajdak, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

This is the opening show in First Stage’s 40th Year. And they’ve stumped me again by presenting a play based on a children’s book that I was not familiar with. A very popular book written by P. D. Eastman which has been adapted for the stage by Allison Gregory and Steven Dietz. The work was translated by Ana Maria Campoy. This is indeed a musical and the music was composed by Michael Koerner.

So let’s get back to this marvelous bit of silly that director Michelle LoRicco has brought to the stage. First, this show is recommended for age 3 and up and LoRicco has certainly channeled her best three year old self and has clearly communicated with my inner three year old. Bravo! What that means is this show is fast moving and bright and playful and the music is warm and sincere and silly! How LoRicco blended all of the personalities of the characters and the music and the limited story is a delight for sore eyes. So I said story and no story? Well:

(L to R) John Sajdak, Valentina Vega, Charlie Machata, Sarah Zapiain, Ellie Gutierrez, and Mia Raines. Photo by Paul Ruffolo and courtesy of First Stage.

There are seven characters in Ve Perro Ve! All seven of them are dogs: red dog and blue dog and yellow dog and green dog and MC dog and spotted dog and Hattie. And maybe you could say this play is tri-lingual because sometimes the dogs speak or sing in English, and then Spanish, and sometimes in just, well…dog. And the story is just a series of skits or events that seamlessly flow from one to another. And our dogs work hard building things with their prop hammers and saws and screwdrivers. One of the best bits in the work session is riveting (pun intended), as each dog takes a turn trying to control a jack hammer. High humor indeed.

Other bits include a game of baseball, played for high humor, and high action. A car race! A visit to a carnival with a Ferris Wheel and roller coaster. A swimming session. I didn’t know that dogs could climb trees, but our favorites here manage to do exactly that. And a particularly apt segment for all of the parents and grandparents in the audience, is when the MC Dog tries to get all of the other dogs to call it a day and go to sleep, but instead we have dogs at play!

If you have been following my coverage on First Stage or are familiar with them, you know that the plays that feature their younger actors run with two casts. These casts alternate appearance dates. So if you plan on seeing a particular young actor, check in at the links below, and make sure you select a date when they will be performing before you buy your tickets. I saw the El Pequeno cast.

Sarah Zapiain. Photo by Paul Ruffolo and courtesy of First Stage.

The one character and one actor who will be present in all of the performances is MC Dog played by Sarah Zapiain. Zapiain is the only adult in the room, quite literally. She directs the other dogs in much of the action on stage, tries to get them to go to sleep, and keeps an eye on the red light/green light. She is a perfect MC Dog and just a delight from start (when she plays peek a boo with the audience) to finish in the grand finale. Her effervescence and energy are a joy to watch but keep a close eye on her, she can be subtle in her actions too.

As I said, I saw the El Pequeno cast. As always, their presence and preparation are very professional for any age actors. And this isn’t an easy play to perform, moving almost without let up from one skit to the next. And this is a musical of sorts and their solo and ensemble singing was just wonderful. There is even a song early on that injects some ‘scat style’ non-sense syllable singing and they all nailed it. As a baseball player, I loved Mia Raines’, as Yellow Dog, flawless slide into second during the baseball game. Savannah Carlson as Hattie, certainly stood out as a very confident and skilled actor. After MC Dog, Carlson’s Hattie is a stand out performance.

(L to R) Elzie Flenard . IV, Rosemary Marotta, and Sarah Zapiain. Photo by Paul Ruffolo and courtesy of First Stage.

First Stage’s prop, costume, and set designers are the best in Milwaukee. And they proved it again with Go Dog Go! It’s not that they always produce elaborate sets and costumes, but they often do. But that they always provide absolutely spot on sets and costumes that propel the story along while just using the minimum of attributes to identify the character or the scene. And their use of color is fascinating.

And for Go Dog Go!, the music was a delight as well. Driven by an accordion from that open peek a boo session to the grand dance finale, it fit the mood and action perfectly. At times the accordion was augmented with some percussion and a woodwind or two. And the music set the scene without being obvious but we would certainly miss it if it wasn’t there. That’s the sign of great music. Jessica Marks is the music director for Go Dog Go. It is her first First Stage appearance and welcome, I loved the music here.

So, let’s get back to the environment for just a moment. The Goodman Mainstage at the Milwaukee Youth Arts Center is theater in the round. So there is seating on all sides of the stage and the audience is never more than four rows away from the action. And for Go Dog Go!, the chairs for the first two rows have been removed and replaced with carpet squares so that younger guests can be closer to the action and squirm and wiggle to their heart’s content. The stage for Go Dog Go! is a simple raised oval dome, brightly painted with a street motif around the edges and a green space in the center.

(L to R) Ellie Gutierrez, Valentina Vega, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

This provides just the right setting for the ball game, car race, and sleep scenes. And is open enough to allow the entire ensemble to dance and move about freely as they tell their story. And how do I know that this all works? I just watched the preschoolers and elementary age children on those carpet squares around the room. They are completely entranced and engaged for the entire play. That was fun to see. The singing is made up of conversational songs or simple ensemble tunes, no boring arias to pull them out of the magic. And at the very end for just a few moments, the cast invited the audience on stage to join in the final dance segment. Fun to watch? Yes! But the real fun was seeing some children want to participate but afraid to go on stage, some just rushing out there, and the one little girl who had to be coaxed back to her seat by her brother when it was over! First Stage shows are always good theater and I enjoy that. But, as parent and grandparent, watching young people interact with theater is very rewarding too.

This show is for audiences of age 3 and up. And as I said above, these young people were fully engaged throughout the show. And at just an hour, they won’t have time to get restless or bored. So if you are thinking about introducing a youngster to theater for the first time or bringing them to a new show, Go Dog Go! : Ve Perro Ve! is the one for you!

First Stage will be presenting Go Dog Go! from now through November 1, 2026 at the Goodman Mainstage Hall at the Milwaukee Youth Arts Center just north of the Deer District. There is an adjacent free parking lot. Runtime: The runtime of this play is: approx. 60 minutes, with no intermission. The age recommendation of this play is: We recommend this show for ages 3+.

More information here! And ticket information here!

Extra Credit Reading: The Enrichment Guide

(L to R) Valentina Vega, Mia Raines, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

First Stage’s Disney’s Frozen From Love To Ice And Back In Moving Song!

It is April 12, 2026. It is snowing inside the Todd Wehr Theater at the Marcus Performing Arts Center. It is not MY fault. My snow shovel is still at my back door and my snow brush is still in the car. No, it’s those pesky kids at First Stage presenting a very accomplished and engaging production of Disney’s Frozen!

Molly Hill Fuller in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

And again, First Stage is providing me with a new cultural experience. Being a man of a certain age whose grandchildren grew up very far away, I was never exposed to Frozen before this past weekend. Yes, I knew the major character’s names but only because they are now very popular crossword puzzle clues. LOL!

This is officially Disney’s Frozen but from what saw Sunday, this is every four to seven year old girl’s Frozen. I don’t remember seeing such a young audience at prior First Act events and this is the first time the theater has been completely sold out. So don’t wait to get tickets if you are considering going. And like many character driven plays based on other major sources, the electricity was palpable and exciting as you experience the buzz and hear the chatter of young voices. But once the lights went down things were different this time. In other big stage musicals, after the initial hush, the young audience will often engage with the action directly, answering questions, telling a character not to do something, or just trying to enter the conversation. This time the hush was nearly total and lasted curtain to curtain. They were totally engaged and on the edge of their seats to just as great an extent, and yes, into it, dancing in place or waving their arms to the music. Amazing. And I almost forgot to mention, this group was a fashion parade of every type of Elsa or Anna princess dress in existence. A very delightful encounter beyond just the music and theater.

The full official title is Disney’s Frozen, The Broadway Musical. So this is a full fledged musical with about two dozen amazing songs with the original music and lyrics by Kristen Anderson-Lopez and Robert Lopez, with the book by Jennifer Lee, and based on the Disney film also written by Lee. So the story is driven by song and to enhance that experience, there is a live five piece orchestra on site, but sequestered away in an orchestra ‘pit’ somewhere.

Cast in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

And here at First Stage, Director Michael Dean Morgan and Associate Director and Choreographer Michelle LoRicco have brought all of First Stage’s magic to bear and have created a seamless event around the complex story that just sweeps you up in a north wind! And I mean that in a good way. In his note from the director, Morgan states: “Rather than hiding the stagecraft, our ensemble of storytellers…brings the magic to life. There are no projectors, no screens, just talented artists shaping the storms, the snow, and even puppeteering beloved characters. ” And this is the magic of First Stage productions. Yes, there are storms to be exhibited, through lights and waving lengths of silky materials, and actors moving set pieces to take us to new environs, and amazing puppets to be the mythical and imaginary characters vital to the story. The stage craft is right there in front of us and we clearly see it and we embrace it as part of the story. And we move from castle bedroom to an ice castle on a mountain top and on and on.

Did Morgan say puppets? Yes, Indeed! Once again Puppet Designer Niki Kulas has created a cast of amazing puppets, again clearly showing the audience how they work, and enchanting us with how well they represent the characters. Let’s start with Sven, a giant reindeer head that a younger actor wears like a vest and sways around the stage making everyone of us want to pat it on the nose. And the animated snowman, Olaf, sings and ‘dances’ and shuffles through the action attached to another young actor at the feet and manipulated manually. And the Hill People, which to this viewer are giant trolls from my youthful fairy tales. Giant troll head and giant hands controlled by two actors, one bobbing the head while another waves the hand. They are a bit of comic relief when they appear as rescuers at two stress points in the narrative. Here the magic of stage craft and the magic of the forest unites.

(L to R) Cal Jordan, Jake Horstmeier, George Lorimer, Tesney Schatzman, Jamie Mercado, Karen Estrada, and Elliot Lippman in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo

I think I am going to stick this notice here today: First Stage uses a core cast of adults and young adults in their main stage musicals like Frozen. And then fill out the roles with two alternating casts of younger actors. The two casts for Frozen are the Fire Cast and the Frost Cast. So if you hope to see a particular young actor make sure you order tickets for a performance featuring their cast. I saw the Frost Cast.

Initially we meet our princesses Elsa and Anna as youngsters at bed time. Elsa is a bit quiet and thoughtful and wary and played with just the right about of reserve by Emily Dalecky (Frost). Her younger sister Anna presents a different personality, as played by McKenna Becker (Frost), she is sassy and direct and eager to live. After pushing her parents out of the bedroom she is the one bouncing off the walls wanting to play. She finally convinces Elsa to build a ‘snowman’ from toys and pillows and such and they name it Olaf. The dynamic set here for the sisters personalities and relationship helps mold the action in the rest of the story.

(Spoiler Alert?) This is a Disney princess fairy tale so there is magic and mystery and tragedy and duplicity all wrapped about the moral about the true love of family and sisters. Of course there is a secret, Elsa has the power to freeze things with a wave of her hand. A power no one understands and one that she can’t control herself. Once she harms Anna, they are separated and sequestered until adulthood. The King and Queen go off to find a solution but perish in a storm. The cloistered siblings are fairly naive when the are united as adults at Elsa’s coronation. Anna meets Prince Hans, who has 12 elder brothers, and immediately falls for the handsome young man and immediately agrees to marry him. Hans is played as suave and smooth and maybe a bit rakish by William Kastner (Frost). Delightfully romantic on meeting, he turns into a villain soon enough and Kastner has the chops for that as well.

Cole Bugiel (left) and Melody Marks (right) in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

When Anna announces her engagement to Elsa at the coronation, Elsa gets angry and with a wave of her hand, starts a new Ice Age. Elsa then heads for the mountains to protect her family and friends and kingdom from her powers and creates her own Ice Castle on a mountain. Anna pursues to try to help Elsa and the great adventures begin. Anna needs some help and meets Kristoff who provides cold weather mountain gear and immediately starts to provide his services as a guide. William Swoboda (Frost) gives Kristoff a bit of swagger but definitely a solid sense of self-sufficiency without any sign of doubt or thought for himself. And of course, he brings along his friend Sven, played by Johnathan Doome (Frost). And the emergence of the animated living Olaf is just a delight. A very animated and charming Dominic Lasky (Frost) gets to inhabit this fan favorite.

Molly Hill Fuller (center), Alice Rivera (right), and cast in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

At this point, Elsa and Anna are adults and are now played by different actresses. Molly Hill Fuller plays a somewhat imperious and ‘icy’ figure here but clearly defines the sense of fear she holds that is part of the under story to her power. Anna is portrayed by Alice Rivera (Frost) as not quite the sassy lass of the first scenes but certainly a determined can do at any cost woman of action. It serves her well and Rivera is true to the character. For me, Anna is the more intriguing character in the play and remained my focus point throughout. The highlight is a duet between Elsa and Ann, “I Can’t Lose You”, sung when they are finally reunited. Both actors have lush clear voices that fill the room and hold the moment. Their pairing is just just right and they both have presence and voice beyond what you would expect here in a youthful cast.

But Anna falls victim to Elsa’s powers once again, so all parties must retreat to their home in Arendelle to expose the villains and effect the magic that provides our happily ever after.

Disney’s Frozen runs one hour and 45 minutes plus an intermission. First Stage Recommends this for families with young people ages 8-18 and determined adventurers of all ages. I saw a lot of young people here that were younger than 8. And it seemed that a lot of these were already familiar with the story and the characters. But if you are wondering, there is some flirtation between Hans and Anna, the King and Queen do perish in a storm that is lightly depicted on stage, and there is magic and some threats of violence. The trolls are more comical than ominous.

Molly Hill Fuller in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

P.S. I have rambled on a lot more than usual, but something that I partially missed. Pay attention to Elsa as a quick costume change on stage switches her from Queen Elsa in regal blue to the Ice Queen in shimmery icy white threads.

First Stage presents Disney’s Frozen in the Todd Wehr Theater in the Marcus Performing Arts Center from now through May 17th, 2026. Tickets and further information here

Extra Credit Reading: Enrichment Guide

and it snowed in the Todd Wehr Theater

Lake Country Playhouse & Academy announces its 2026-2027 season, their 67th.

The Lake Country Playhouse & Academy is often flying under the radar out in Lake Country. They stage performances of topical and traditional and classic plays with great presence and professionalism. It’s time to think about joining them in 2026 – 2027:

Hartland, WI – April 10, 2026, Lake Country Playhouse & Academy (LCP) unveils its 2026–2027 season, the organization’s 67th. The season includes six Mainstage productions and four Academy productions running September 2026 through August 2027. Featuring award-winning musicals, a gripping historical drama, a comedic mystery, and beloved literary tales, this season invites audiences across Lake Country to celebrate the moments that change us.


“Great theatre doesn’t just tell you a story — it puts you inside a moment and asks what you would do.” says Katie Berg, LCP Executive Director. “This season is full of those moments. Characters at crossroads, people choosing courage, love, or the harder right thing. That’s what drew us to every show on this list.”

Mainstage Series:
Sunday in the Park with George – Stephen Sondheim and James Lapine’s Pulitzer Prize-winning musical, directed by Caitlyn Nettesheim and accompanied by a live chamber orchestra. The story of painter Georges Seurat and the relationships sacrificed in pursuit of his art. Sunday in the Park with George runs September 24–October 11, 2026.


A Christmas Carol The Musical – LCP’s 15th annual holiday production, directed by Danny Polaski. Michael Kosinski and Ernest Brusubardis’ heartwarming adaptation of the Charles Dickens’ classic brings festive cheer as Scrooge embarks on a transformative journey guided by the spirits of Christmas past, present, and future. A Christmas Carol The Musical runs November 27–December 13, 2026.


Radium Girls – Directed by Sarah Jo Martens. Based on the true story of the young women who worked in radium dial factories in the 1920s and filed suit against their employer, changing American labor law in the process. D.W. Gregory’s Radium Girls runs February 19–March 7, 2027.


An Old-Fashioned Family Murder – Directed by Michael Pocaro. A mystery comedy by Joe DiPietro in which a family reunion turns fatal and every guest is a suspect. An Old-Fashioned Family Murder runs April 2–18, 2027.


Seussical The Musical™ – Directed by Morgan Gates. A fantastical musical co-conceived by Lynn Ahrens, Stephen Flaherty, and Eric Idle, weaving together the works of Dr. Seuss in this family friendly production, celebrating friendship, loyalty and imagination. Seussical The Musical™ runs May 6–23, 2027.


Tuck Everlasting The Musical – Based on the novel by Natalie Babbitt, A young girl discovers a family living with an extraordinary secret and must decide what to do with what she knows. Tuck Everlasting The Musical runs July 9–25, 2027.

Academy Series:
Dare to Dream Jr. – Directed by Emily Keiner. LCP Academy’s fall production celebrating 100 years of Disney in a musical revue. Dare to Dream Jr. runs October 22–November 1, 2026.


Hadestown Teen Edition – Directed by Suze Falk. Anaïs Mitchell’s Tony Award-winning musical retelling of the myth of Orpheus and Eurydice, performed by Academy students. Hadestown Teen Edition runs January 21–31, 2027.


What Happened After Once Upon A Time – Alexi Alfieri’s comedy in which fairy tale characters reveal their true personalities, and what really follows the fairy tale, performed by Academy students. What Happened After Once Upon A Time runs June 18–26, 2027.


SpongeBob SquarePants The Musical Jr. – The Tony Award-winning musical in its junior edition, closing the Academy year. SpongeBob SquarePants The Musical Jr. runs August 5–15, 2027

Summer 2026 Staged Readings
LCP’s Staged Reading Series returns summer 2026 with three productions, produced in partnership with series sponsor, Kit Sidel; The Birdcage by Arthur Laurents, directed by Elena Donley, playing June 25–27, 2026; Now and Then by Sean Grennan, directed by Chris Gonyo, playing July 10–12, 2026; and Lombardi by Eric Simonson, directed by Nancy Hurd and playing July 17–19, 2026.


“This is a season we are genuinely proud of.” says Berg “Whether you’re a longtime artist, patron, volunteer or joining us for the first time, there is something here for you. Come be part of the story.”


For more information, including expanded production details, performance dates and times, and to purchase season subscriptions or single tickets, please visit www.lakecountryplayhousewi.org.

Lake Country Playhouse & Academy is dedicated to engaging the community through arts education and live theater entertainment from their intimate, 82-seat black box theatre in downtown Hartland. For more details on Lake Country Playhouse & Academy’s history, performances, and educational programs.