Category: Up The Hill Theater

I don’t know exactly where to start here, it’s a tough play to write about. If I am lucky, this will write itself!

Let’s try this, from the director’s notes to the play from the incomparable Laura Gordon: “Ring Round the Moon is a play that I find difficult to classify. It’s a comedy. It’s a romance. It contains farcical elements, yet it’s not a farce.” I will quibble with this last bit…although a few definitions require horseplay for a farce (and I will maintain that there is a bit here), most don’t, like this one from Merriam-Webster: a light dramatic composition marked by broadly satirical comedy and improbable plot. So my first review statement, we have ourselves a farce here of grand proportions and I loved every moment of it, in no small part as the result of Gordon’s direction!!!

And I have no idea how Gordon managed to put this on stage. It contains 12 major characters with speaking roles, dozens of entries and exits, as she mentioned any number of characters taking on an alias or two, any number of costume changes, relationship changes, falsehoods and exposures, and one hard put upon actor who had to play twin brothers! I saw it! I admired it! I laughed out loud! Heartily. But even now I am having a hard time remembering every morsel of the action. Yet, it moved and swirled with seemingly no effort…well except our hard put upon actor! Brava!!!

Now, on to the twins! Twin brothers, Hugo and Frederic are of course somewhat competitive with one another in a typical sibling competitive way. And physically, they are identical twins and quite handsome, in a Nate Burger sort of way if you catch my drift. But their personalities are vastly different, Hugo being brash and direct and a bit diabolical, while Frederic is more reserved, maybe a bit introverted, and certainly a respectful young man. They are rich…well as many of the characters here are. And Nate Burger plays both men…very very well. But with their different mannerisms and vocal inflections, I have no idea how he keeps them straight, evokes the correct personality and vocal inflections, or for that matter, how he remembers all of his lines. But he does have a body double of sorts…one Nick Farasey who plays one twin or the other when they need to be seen off in the distance or somewhere about in the next room. But for us the audience, it’s look out, Burger just entered stage left, who is it to be, Hugo or Frederic??

One of the other standouts (no I am not belittling anyone here) is Barbara Kingsley, as Madame Desmortes, the aunt of two intrepid twins. Despite being confined to a wheelchair, she isn’t above partaking in a bit of hi-jinks and subterfuge by manipulating the various guests and principals for her own amusement and a result where all ends well!

Others who amused above and beyond, Laura Rook as Diana Messerman who is in love with Hugo, I can’t imagine why, but is engaged to Frederic who is marriageable as her plan B. And Phoebe Gonzalez is amazing as ballet dancer Isabelle. Gonzalez easily and believably morphs from a giddy dancer for hire to becoming a bit resistant as Hugo’s pawn, to finally despair as too many things go awry?? Or they just become too fluid to manage?

But the farce here isn’t restricted to the aristocrats on view or the impersonators they bring to the fore, but to the servants. David Daniel takes a hilarious turn as, in the cast list, a crumbling butler, and Elizabeth Reese has mastered the dramatic eye roll as Capulet, Madame Desmortes, ‘faded’ companion!

Ring Round The Moon was adapted by Christopher Fry in 1950 from Jean Anouilh’s Invitation to the Castle from 1947 (which is described in the literature as a satirical play). But I still hold that in Fry’s hands it is a farce!!

Again, sorry that I am so late into the season, there are only two dates left. But info and tickets can be found here!! Play is just over three hours including two 15 minute intermissions.

Some how I put off seeing Our Town for 72 years and then suddenly experienced two compelling performances in a matter of months! (Here’s my response to my previous encounter at The Lake Country Players). But today, I want to share my thoughts about Our Town at APT!

So once again, I find myself in Grover’s Corners, NH, but this time seated outdoors amongst towering trees, ten thousand crickets, a number of agile bats, and an audience of eleven hundred other theatergoers who are about to become my best friends and neighbors. Partly by our close proximity sheltering from a brief bit of rain and then by Wilder’s classic take on small town rural America!

And as we settle into our seats, we see that APT has taken Wilder’s stage directions to heart and we have the two dining table sets and two ladders that define the two households that share the timeline of the story. Perfectly suited to the rustic stage at the Hill Theater. And the cast took to heart the directions to mime most of the activities…perfectly…from stirring pots in the kitchen, to pumping water, to delivering milk, and tossing the morning paper on the porch (accompanied by a very satisfying and resounding slap sound effect)!

In act one of course we meet Grover’s Corners through a pair of presentations to the audience from guest speakers on stage, the description of the town’s geography by the stage manager, and then the commencement of the typical day…and we meet the residents as they play out their familial interactions and daily activities. And as we watch and eavesdrop, we realize that every day life in an idyllic community isn’t always quite so idyllic. A far more realistic portrayal than sit coms of the 1950s and 1960s, for certain.

But we do meet the two nuclear families central to the story. The actors here exemplify their characters to a T! The Gibbs family, James Ridge is Dr. Gibbs, Teri Brown is Mrs. Gibbs, and their two growing, active, and curious children, Ronald Roman-Melendez as George and Phoebe Werner as Rebecca. And across the stage in Spring Green but across Town in Grover’s Corners, we learn to love the Webb family, newspaper editor Mr. Webb played by Jefferson A Russell, Mrs. Webb played by Tracy Michelle Arnold, and the aware Webb children, Samanatha Newcomb as Emily, and Susanna Van Hallgren as Wally. A perfect cast that presents the characters and personalities of their roles just as you’d expect for turn of the (20th) century rural America. And the young people to pay close attention to are George and Emily of course, as they age and mature, and discover how deep feelings can really really reside.

And of course scene two is where the pinnacle of the action in Grover’s Corners is told. As Emily calls out George for an unlike George change in attitude and action…and George comes to the realization of what he really wants out of his life and the best way to achieve it…and of course his love for Emily. Wedding bells ensue!

And then on to the third and final act which gives us Wilder’s expressed theme, The play is about Mortality. And here brings to fruition the Emily she grew into in the previous two scenes…an observant, mature, and feeling human being unlike anyone and everyone else in the play. Samantha Newcomb truly presents that feeling human being and is the star of this show!

An aside and then a quibble: For me the stage manager is the key ingredient for a successful Our Town. The stage manager needs to be flexible since the role changes throughout the play and it requires a certain amount of gravitas. Over the years, I have loved Sarah Day in any number of plays, but I don’t think she quite had the feel for the stage manager the evening I attended the play. And the quibble: I sat dead center although higher up in the seating bowl…but Sarah played too much to stage left, particularly during the intro even for me sitting in the center.

Our Town played as the classic play that it has become. Tim Ocel did a marvelous job directing given the sparse sets and props that Wilder allows if you are to stay true to his vision while also expressing your own. And the 1901 costuming provided by costume designer Scott A Rott sets the mood for the period as well…wonderful.

As always: Extra credit reading: The 2023 Season Playbill

And if you want to catch Our Town: click here for more info and tickets!!

all photos are courtesy of American Players Theatre