Today the American Players Theatre is announcing a new holiday presentation of The Gift Of The Magi written by core company member, Jim DeVita (who gave us that amazing An Improbable Fiction earlier this season). See the details below and use the links provided to find out more!!
James DeVita and Josh Schmidt’s original musical based on O. Henry’s classic tale of love and generosity returns to the Touchstone at long last. It’s been hailed as “a Christmas Delight” (The Isthmus). We’ve also been told that “It’s difficult to imagine a more idyllic holiday escape.” (The Shepherd Express). But don’t take our word for it (or even theirs). This is a play that longs to be seen. To be reveled in and shared with friends and family. So help us celebrate the end of this remarkable season along with Jim and Della, who, with full hearts and empty pockets, seek the perfect gift for one another only to find they already have all they need.
Featuring Kelsey Brennan, Brian Mani and Marcus Truschinski.
Book by James DeVita Lyrics by James DeVita & Josh Schmidt Music by Josh Schmidt Directed by Malkia Stampley
This has been an extraordinary season, in part because it was able to take place at all. Now, as we ponder the gifts we’ve been given this year, it feels like the perfect time to bring this holiday favorite back for a visit – a reminder of all the beauty and love and generosity that the world yet holds, and all that is still to come.
Tickets on sale Tuesday, October 26 9:00 am CT online at americanplayers.org and 10:00 am by phone at 608-588-2361
We hope you’ll join us one last time in the woods this season as we celebrate the simple things – they are, invariably, the ones we hold dearest.
In ancient Greece, Dynamene is prepared to die from grief over the death of her husband and has barricaded herself, fasting, in his tomb. She has brought her faithful servant along to die with her (a plan that said servant is not 100% on board with).
But I have taken that entirely out of context and Christopher Fry has instead provided us with a witty understated comedy that plays off classic sources from Homer to Sophocles to of course, Shakespeare! Instead we find ourselves roaming from troubled to amused to relieved…as the somber circumstances play out via Fry’s immaculate verse…to the captivating human interaction…laced with humor in character definition, an absurd situation, and his carefully manipulated clever English! It’s all a delight until the crisis appears when all seems lost. But as with most classics, there is a deus ex machina of sorts and life and love prevail. So that covers the play…but again from the APT:
Here we have the classic “boy-meets-girl, boy-dies, girl-meets-handsome-soldier-in-the-first-boy’s-tomb-while- waiting-to-die-with-her-faithful-servant” story. It may sound ridiculous. And it is. But youth is often a ridiculous ride, and it’s hard to be hopeless for long when you’re on it. Feel free to laugh with them as they attempt to find their way in the literal dark, with a bellyful of wine and all the earnest, wobbly assurance of people dealing with death just as they’re learning to live life. Quirky and Greeky and oh so funny, with a deceptively deep story, this one promises a delightful time
Now our story revolves around just three characters: our widow, Dynamene played by Phoebe Gonzalez, her handmaiden, Doto played by Tyler Meredith, and our handsome stranger, the soldier, Tegeus played by Christoper Sheard. These three weave the words into actions that tell the story with complete awareness of the absurdity of the situation and cleanly emphasize the humor in the text. Director Keira Fromm has them interacting in and around the minimal stage with a certain grace…even during the various crises and entanglements shall we say. It works on every level and certainly invites us to stay engaged with the players, the story. and the action. And of course the emphasis on the humor seems invisible until it subtly reaches our conscious funny bone.
And the minimal stage couldn’t be better suited to the action, the deceased’s crypt, benches, and the entrance are all clearly defined and perfectly appropriate to an undisclosed but clearly ancient Greece. Thank you Jeffrey Kmiec! And the blue lighting was dramatic, ethereal, and unobtrusive all at the same time. Something that I wouldn’t have ever considered….so thank you, Jesse Klug!
The opening scene quickly introduces us to the world weary and street smart Doto who gets a lot of the early laughs and chuckles as she lays out her predicament. All worked around a restlessly sleeping Dynamene (how Ms. Gonzalez manages to do this without laughing is funny in itself…Ms. Meredith get a similar ‘respite’ later but gets to do it out of sight of most of the audience instead of center stage! ). So you want to feel for Doto right away and it is a great deal of fun to listen to the rather unique English she employs and the street cred she exhibits when Tegeus ‘bursts’ on the scene! Bravo Ms. Meredith!
And the pas de deux between Dynamene and Tegeus is magic. Not only the language but the dance itself as they struggle to engage and keep their distance and engage while moving about the set. There isn’t even a more convincing scene in Shakespeare! The timing, looks, leers, restraint, and finally surrender to love all works to perfection. Ms. Gonzalez and Mr. Sheard amplify those emotions without our noticing any effort and with our full approval. And it makes the coming crisis that more shocking and poignant when it comes. I won’t discuss it any further.
Given the feel of the poetry, the period, the geography, and the story, this is plainly a ‘classical piece’, and more appropriate to this season in particular as it follows a similarly toned and previously presented Iliad and the other current production of Sophocles Oedipus. This seems like a prime central focal point of a ‘Greek’ triad!
At the outdoor Hill Theatre, you can see Oedipus by Sophocles performed from an adaptation by director David Daniel. Oedipus will run from September 17 – October 9.
For the first time in decades, we welcome to our Hill one of the great Greeks – an infamous murder mystery that has riveted audiences around the world and across time. But Oedipus is not a story that can be defined by its final act, shocking though that act might be. Poetic and profound, it is in many ways the story of us; about how the people we love carry us from bad times to good, and sometimes back again. And at its heart, an extraordinary hero – flawed like we all are flawed, yet brave enough to do what he must to protect his community. Even if it means his undoing. It’s a rare gift to see the Greeks outside under the stars, as they were meant to be seen. Rarer still to witness one that was conjured just for this place; built from decades of the energy that flows from this community. From you, our audience. We are because you are.
And at the indoor Touchstone Theatre, APT will be presenting their second Shakespeare play of the season, The Taming of the Shrew! Taming will run October 14 – November 14 and is directed and has been adapted to a five actor presentation by Shana Cooper.
Ah, the tale of Kate and Petruchio, and how each cracked the code to the other’s ferociously defended heart. It’s a Shakespearean rabble-rouser, held up as the ultimate battle of the sexes. But look closer, and you’ll discover a lively satire about how society tries to bend this couple into shapes they’re simply not built for. Cheer them on as they shatter everyone’s absurd expectations. After all, their dramatic (and often uproarious) journey toward love isn’t just entertaining. It’s revolutionary. A wild and theatrical adaptation featuring the famously combative couple, with three other incredible actors playing Bianca to Baptista, and every ridiculous role in between.
and as always, to see and read more about the American Players Theatre, CLICK HERE!