First Stage’s Disney’s Frozen From Love To Ice And Back In Moving Song!

It is April 12, 2026. It is snowing inside the Todd Wehr Theater at the Marcus Performing Arts Center. It is not MY fault. My snow shovel is still at my back door and my snow brush is still in the car. No, it’s those pesky kids at First Stage presenting a very accomplished and engaging production of Disney’s Frozen!

Molly Hill Fuller in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

And again, First Stage is providing me with a new cultural experience. Being a man of a certain age whose grandchildren grew up very far away, I was never exposed to Frozen before this past weekend. Yes, I knew the major character’s names but only because they are now very popular crossword puzzle clues. LOL!

This is officially Disney’s Frozen but from what saw Sunday, this is every four to seven year old girl’s Frozen. I don’t remember seeing such a young audience at prior First Act events and this is the first time the theater has been completely sold out. So don’t wait to get tickets if you are considering going. And like many character driven plays based on other major sources, the electricity was palpable and exciting as you experience the buzz and hear the chatter of young voices. But once the lights went down things were different this time. In other big stage musicals, after the initial hush, the young audience will often engage with the action directly, answering questions, telling a character not to do something, or just trying to enter the conversation. This time the hush was nearly total and lasted curtain to curtain. They were totally engaged and on the edge of their seats to just as great an extent, and yes, into it, dancing in place or waving their arms to the music. Amazing. And I almost forgot to mention, this group was a fashion parade of every type of Elsa or Anna princess dress in existence. A very delightful encounter beyond just the music and theater.

The full official title is Disney’s Frozen, The Broadway Musical. So this is a full fledged musical with about two dozen amazing songs with the original music and lyrics by Kristen Anderson-Lopez and Robert Lopez, with the book by Jennifer Lee, and based on the Disney film also written by Lee. So the story is driven by song and to enhance that experience, there is a live five piece orchestra on site, but sequestered away in an orchestra ‘pit’ somewhere.

Cast in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

And here at First Stage, Director Michael Dean Morgan and Associate Director and Choreographer Michelle LoRicco have brought all of First Stage’s magic to bear and have created a seamless event around the complex story that just sweeps you up in a north wind! And I mean that in a good way. In his note from the director, Morgan states: “Rather than hiding the stagecraft, our ensemble of storytellers…brings the magic to life. There are no projectors, no screens, just talented artists shaping the storms, the snow, and even puppeteering beloved characters. ” And this is the magic of First Stage productions. Yes, there are storms to be exhibited, through lights and waving lengths of silky materials, and actors moving set pieces to take us to new environs, and amazing puppets to be the mythical and imaginary characters vital to the story. The stage craft is right there in front of us and we clearly see it and we embrace it as part of the story. And we move from castle bedroom to an ice castle on a mountain top and on and on.

Did Morgan say puppets? Yes, Indeed! Once again Puppet Designer Niki Kulas has created a cast of amazing puppets, again clearly showing the audience how they work, and enchanting us with how well they represent the characters. Let’s start with Sven, a giant reindeer head that a younger actor wears like a vest and sways around the stage making everyone of us want to pat it on the nose. And the animated snowman, Olaf, sings and ‘dances’ and shuffles through the action attached to another young actor at the feet and manipulated manually. And the Hill People, which to this viewer are giant trolls from my youthful fairy tales. Giant troll head and giant hands controlled by two actors, one bobbing the head while another waves the hand. They are a bit of comic relief when they appear as rescuers at two stress points in the narrative. Here the magic of stage craft and the magic of the forest unites.

(L to R) Cal Jordan, Jake Horstmeier, George Lorimer, Tesney Schatzman, Jamie Mercado, Karen Estrada, and Elliot Lippman in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo

I think I am going to stick this notice here today: First Stage uses a core cast of adults and young adults in their main stage musicals like Frozen. And then fill out the roles with two alternating casts of younger actors. The two casts for Frozen are the Fire Cast and the Frost Cast. So if you hope to see a particular young actor make sure you order tickets for a performance featuring their cast. I saw the Frost Cast.

Initially we meet our princesses Elsa and Anna as youngsters at bed time. Elsa is a bit quiet and thoughtful and wary and played with just the right about of reserve by Emily Dalecky (Frost). Her younger sister Anna presents a different personality, as played by McKenna Becker (Frost), she is sassy and direct and eager to live. After pushing her parents out of the bedroom she is the one bouncing off the walls wanting to play. She finally convinces Elsa to build a ‘snowman’ from toys and pillows and such and they name it Olaf. The dynamic set here for the sisters personalities and relationship helps mold the action in the rest of the story.

(Spoiler Alert?) This is a Disney princess fairy tale so there is magic and mystery and tragedy and duplicity all wrapped about the moral about the true love of family and sisters. Of course there is a secret, Elsa has the power to freeze things with a wave of her hand. A power no one understands and one that she can’t control herself. Once she harms Anna, they are separated and sequestered until adulthood. The King and Queen go off to find a solution but perish in a storm. The cloistered siblings are fairly naive when the are united as adults at Elsa’s coronation. Anna meets Prince Hans, who has 12 elder brothers, and immediately falls for the handsome young man and immediately agrees to marry him. Hans is played as suave and smooth and maybe a bit rakish by William Kastner (Frost). Delightfully romantic on meeting, he turns into a villain soon enough and Kastner has the chops for that as well.

Cole Bugiel (left) and Melody Marks (right) in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

When Anna announces her engagement to Elsa at the coronation, Elsa gets angry and with a wave of her hand, starts a new Ice Age. Elsa then heads for the mountains to protect her family and friends and kingdom from her powers and creates her own Ice Castle on a mountain. Anna pursues to try to help Elsa and the great adventures begin. Anna needs some help and meets Kristoff who provides cold weather mountain gear and immediately starts to provide his services as a guide. William Swoboda (Frost) gives Kristoff a bit of swagger but definitely a solid sense of self-sufficiency without any sign of doubt or thought for himself. And of course, he brings along his friend Sven, played by Johnathan Doome (Frost). And the emergence of the animated living Olaf is just a delight. A very animated and charming Dominic Lasky (Frost) gets to inhabit this fan favorite.

Molly Hill Fuller (center), Alice Rivera (right), and cast in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

At this point, Elsa and Anna are adults and are now played by different actresses. Molly Hill Fuller plays a somewhat imperious and ‘icy’ figure here but clearly defines the sense of fear she holds that is part of the under story to her power. Anna is portrayed by Alice Rivera (Frost) as not quite the sassy lass of the first scenes but certainly a determined can do at any cost woman of action. It serves her well and Rivera is true to the character. For me, Anna is the more intriguing character in the play and remained my focus point throughout. The highlight is a duet between Elsa and Ann, “I Can’t Lose You”, sung when they are finally reunited. Both actors have lush clear voices that fill the room and hold the moment. Their pairing is just just right and they both have presence and voice beyond what you would expect here in a youthful cast.

But Anna falls victim to Elsa’s powers once again, so all parties must retreat to their home in Arendelle to expose the villains and effect the magic that provides our happily ever after.

Disney’s Frozen runs one hour and 45 minutes plus an intermission. First Stage Recommends this for families with young people ages 8-18 and determined adventurers of all ages. I saw a lot of young people here that were younger than 8. And it seemed that a lot of these were already familiar with the story and the characters. But if you are wondering, there is some flirtation between Hans and Anna, the King and Queen do perish in a storm that is lightly depicted on stage, and there is magic and some threats of violence. The trolls are more comical than ominous.

Molly Hill Fuller in Disney’s Frozen. First Stage, 2026. Photo by Paul Ruffolo. 

P.S. I have rambled on a lot more than usual, but something that I partially missed. Pay attention to Elsa as a quick costume change on stage switches her from Queen Elsa in regal blue to the Ice Queen in shimmery icy white threads.

First Stage presents Disney’s Frozen in the Todd Wehr Theater in the Marcus Performing Arts Center from now through May 17th, 2026. Tickets and further information here

Extra Credit Reading: Enrichment Guide

and it snowed in the Todd Wehr Theater

PSA: ANNOUNCING FIRST STAGE’S 40TH ANNIVERSARY SEASON

ANNOUNCING FIRST STAGE’S 40TH ANNIVERSARY SEASON
Explore Timeless Tales and New Adventures with
World Premiere Musical Winnie the Pooh: Forever Friends and more!

MILWAUKEE, Wis (March 26, 2026) – First Stage proudly announces its 2026–2027 Season, marking the organization’s 40th Anniversary with a vibrant lineup of beloved classics, imaginative adventures, and memorable family experiences.

“For 40 years, First Stage has been a place where friends and families come together to share stories that inspire conversation, imagination, wonder, and empathy,” shared Executive Artistic Director Jeff Frank. “This anniversary season celebrates timeless tales loved by all ages while inviting audiences to experience new adventures together. There’s never been a better time to make forever memories at First Stage.”

From whimsical tales to epic adventures, the 2026-2027 season offers something for every age.

GO DOG GO!  /  VE PERRO ¡VE!
October 3 – November 1, 2026  |  Ages 3+
Goodman Mainstage Hall at the Milwaukee Youth Arts Center
Ve Perro ¡Ve! comes to life on stage in a fast, funny, bilingual romp full of roller-skating, bicycle-riding, and car-driving dogs. P.D. Eastman’s classic is delightfully ridículo—and wonderfully fun for all ages!

DR. SEUSS’S HOW THE GRINCH STOLE CHRISTMAS!
November 21 – December 27, 2026  |  Ages 5+
Todd Wehr Theater at the Marcus Performing Arts Center
Experience the wit, wonder, and larger-than-life spirit audiences know and love, wrapped in toe-tapping songs and Seuss-ian spectacle. Bursting with humor, heart, and holiday magic, this musical celebration is a must-see event that invites audiences of all ages to rediscover the joy of the season.

EVERYBODY  |  Young Company Performance Project
December 4-13, 2026  |  Ages 13+
Goodman Mainstage Hall at the Milwaukee Youth Arts Center
Absurdly funny and deeply witty, this modern riff on the medieval morality play, Everyman, casts a different “Everybody” by lottery each performance, exploring life, death, and the meaning of it all.

WINNIE-THE-POOH: FOREVER FRIENDS  |  World Premiere
January 29 – February 28, 2027  |  Ages 3+
Todd Wehr Theater at the Marcus Performing Arts Center
Return to the Hundred Acre Wood in this heartwarming world premiere musical filled with friendship, imagination, and a little bit of honey. When Christopher Robin returns with his granddaughter, Winnie-the-Pooh and friends remind us that the simplest moments together can mean the very most.

THE SNOW  |  Academy Production Lab
February 12 – 21, 2027  |  Ages 7+
Goodman Mainstage Hall at the Milwaukee Youth Arts Center
When an epic snowfall traps the villagers of tiny Kishka, young Theodore Sutton comes up with a daring solution. Whimsical, humorous, mysterious, and heartfelt, this play weaves a fantastical Grimmsian tale for the entire family.

TWELFTH NIGHT  |  Young Company Performance Project
March 12 – 21, 2027  |  Ages 12+
Goodman Mainstage Hall at the Milwaukee Youth Arts Center
A sparkling comedy of love, laughter, and chaos, this Shakespearean classic invites you into a world of witty wordplay, charming characters, and twists that keep you swooning until the very last scene. 

THE LION, THE WITCH, AND THE WARDROBE
April 2 – May 2, 2027  |  Ages 8+
Wilson Theater at Vogel Hall at the Marcus Performing Arts Center
Step through the wardrobe and discover the fantastical world of Narnia like never before! In this imaginative adaptation, Peter and Lucy return to the room where their adventure began — reminding us that even the smallest among us can change the world.

BROADWAY JUNIOR REVUE: PURE IMAGINATION  Theater Academy Production
May 14 – 23, 2027  |  All Ages
Wilson Theater at Vogel Hall at the Marcus Performing Arts Center
Celebrate 40 years of First Stage with a brand new musical revue featuring our Theater Academy students performing songs from Broadway hits and Disney favorites, alongside stories that showcase the creativity and collaboration at the heart of First Stage since 1987.

Click here to learn more about the 2026-2027 season shows.

Families and friends can experience the magic with First Stage Family Packages, on sale now. These customizable packages allow families to choose the shows they love with maximum flexibility and savings, while unlocking exclusive perks:

  • Guaranteed lowest price all season — up to 50% savings!
  • Exclusive access and priority seat selection
  • Free and flexible ticket exchanges
  • $25 Coupon for 2026-2027 School Year Academy
  • Free Family Workshops: Pre-show education for the whole family
  • Exclusive Backstage Tours: Experience behind the scenes magic

Family Packages can purchased at firststage.org. Family Package families receive early access to seats, ensuring the best selection for the season’s most popular shows. Tickets start at $11. Single tickets go on sale May 1, when Family Package prices increase. First Stage also welcomes thousands of students and educators each season through its weekday matinee Field Trip Performances, giving young people the opportunity to experience live theater as part of their learning journey. First Stage offers affordable school matinee tickets along with classroom workshops that connect the productions to curriculum and social-emotional learning. These workshops help students explore storytelling, character, and themes before and after attending a performance, making theater an engaging extension of the classroom. Field Trips are on sale now.

First Stage Presents Peter Pan And Wendy With NO Strings Attached

Certainly since the original appearance of J.M. Barrie’s play, Peter Pan in 1904, and his later novel, Peter And Wendy of 1911, there has been a certain magic felt across the land by the young of heart in every age group. Being a man of a certain age, my first experience with the magic was a televised broadcast of the Broadway presentation starring Mary Martin. Yes, it did make a lasting impression on me and I was excited to see how the artists and young actors of First Stage would bring that magic to life once again.

Working from an adaptation by Doug Rand, First Stage Artistic Director Jeff Frank directs his own theatre for young audiences adaptation. Frank has rediscovered and reveled in all of the magic found in Peter Pan. All of the magic! The whole story is here, from Wendy and Nana and the great window in the nursery, to a flying boy in Peter Pan, to the Lost Boys, to Captain Hook and Smee, and the crocodile and the clock….and Tinker Bell of course (or Tinkerbell? I have found it both ways but for a real fairy I’d have named her Tinkerbelle).

Todd Denning (front left), Marko Van Slyke (front right), and cast in Peter Pan and Wendy. First Stage, 2026. Photo by Paul Ruffolo.

First Stage presentations for young audiences can often be hard to describe because they are anchored by a number of adult actors but feature two rotating casts of young actors. Peter Pan And Wendy is no different, featuring a Shadow Cast and Light Cast of actors. So if you are interested in seeing a particular youngster on stage, make sure you know which cast they are in and select a date and time appropriately.

First Stage presentations at the Todd Wehr Theater in the Marcus Performing Arts Center are often big cast musicals…Peter Pan And Wendy isn’t a musical but it is a BIG cast. But don’t be fooled about not being a musical. Peter Pan And Wendy is still a rowdy boisterous bit of theater that kept all of the young audience completely entranced. So much so that their laughter and gasps and sidebars sometimes interfered with me hearing the dialogue on stage…but that’s one of the highlights of attending plays at First Stage: seeing the reactions of the youngsters in the audience. Rest assured that this play satisfies!

Simon Phillips (top right) and cast in Peter Pan and Wendy. First Stage, 2026. Photo by Paul Ruffolo.

Now, on to the adult actors. Todd Denning is a regular at First Stage but you probably remember seeing him most recently as the Ghost of Christmas Present at the Milwaukee Rep. For Peter Pan And Wendy he handles two roles…first the loving but maybe just a bit ditzy father of Wendy and John and Michael Darling. Denning’s befuddlement around tying his tie in the opening scenes and leading the way to the drawing room while wondering if the Darlings have a drawing room in the finale. But more importantly is his portrayal of…dah dah dum dum…CAPTAIN HOOK! Oh Denning can be as sinister as need be and leads his pirates by dint of force and personality only to instantly cower at the sound of a ticking clock and the possibility of being attacked by THE crocodile. Tori Watson is Mrs. Darling, and is the perfect elegant and doting mother at first but turns equally fretful when describing her first encounter with Peter Pan…and Watson easily takes on the mourning mother when her children go missing and finally the restored mother who eagerly adopts the Lost Boys and instantly works to help a clearly conflicted Peter Pan.

(L to R) David Flores, J.T. Backes, and Sawyer Felkey in Peter Pan and Wendy. First Stage, 2026. Photo by Paul Ruffolo.

And our pirates, Tim Linn, Sherrick Robinson, David Flores, and J.T. Backes are jolly rogers all. A great team dedicated to protecting their captain and swashbuckling to the nines! David Flores as Smee is a bit of comic relief that suits Flores instinctively and suits the pirates presence just as well.

The two most important characters of course are those in the title of the play, Peter Pan and Wendy. Frank’s adaptation perfectly exhibits Peter’s determination to remain young and have fun which of course appeals to Wendy’s sense of adventure. But there is a bit more to their relationship than that. Wendy senses it but Peter, like many young men, doesn’t really know what is happening and doesn’t respond as Wendy expects. From my note above, there are two casts of young actors. I saw the Shadow Cast and Marko Van Slyke as Peter Pan and Niamh Mayne as Wendy were amazing. Overall the blocking and choreography for such a large cast (there are nine lost boys plus Peter, Wendy, and her two brothers) and a moving set was fluid and riveting and you just can’t seem to take it all in at once, but somehow you do.

SPOILER ALERT: We saved Tinker Bell

But there is more magic here than just the story of Peter Pan. There is First Stage magic. As always First Stage lighting designers and set designers put together these amazing designs that seem so simple at first but are so deeply ingrained in the story telling that they are almost a character in their own right. And for Peter Pan And Wendy it was no different…as we had the nursery and its great window and Neverland and the pirate ship and and and. So thank you to Sarah Hunt-Frank, Nicki Kulas, Jason Fassi, Josh Schmidt (sound designer), and Jason Orlenko (costume designer)!

And let’s talk about Nicki Kulas again. First Stage productions often feature mythical creatures or natural creatures that can’t necessarily be portrayed on stage, so they use PUPPETS: magical, phantastical, puppets! In this case, a bit of a shaggy sheepdog, the children’s nursemaid Nana, the ever lurking and very creepy crocodile, and two iterations of Tinker Bell. One little lacy bit of green light that flits around the action and a bit larger version that at times lands on a shoulder or chair back and has the semblance of a fairy rather than just a bit of flashing light. How they all work is in the next paragraph.

Marko Van Slyke in Peter Pan and Wendy. First Stage, 2026. Photo by Paul Ruffolo.

And let’s not overlook that Peter Pan can fly, and Peter teaches Wendy, John, and Michael how to fly. The primary key to being able to participate in all of the other adventures. And fly they do but without wires. Inspired by Japanese theater, Frank has employed the use of koken in Peter Pan And Wendy. Koken are black clad characters who appear on stage unnoticed by the actors. In this adaptation, the koken lift the young actors portraying Peter and Wendy and let them ‘fly’. They also work the puppets representing Tinker Bell, Nana, and the crocodile. And yes you notice them but you don’t…I can’t quite explain the effect, but it quite simply works.

Ooooh. I almost forgot. There is always a brief talk back after the curtain when young theater goers can ask a question of the cast. My favorite this time was some young man who wanted to know where they found the crocodile. After some giggles, a cast member described the puppet and how it was made by the puppet master!

Beyond the main story, all of the subplots are here. The desire for eternal youth, the desire for freedom from authority, the desire for family and structure, and the desire for a sense of purpose all prevail.

Peter Pan And Wendy continues through March 22, 2006 at the Todd Wehr Theater in the Marcus Performing Arts Center. Run time is about 75 minutes plus a 15 minute intermission. Recommended for families with young people ages 6-14 and magical dreamers of all ages.

More information and tickets can be found here.

Extra Credit Reading: Enrichment Guide