Agatha Christie Ends The Milwaukee Rep’s Season, And Then There Were None

Sadly we have reached the end of the 2025/26 theater season in Milwaukee with the Milwaukee Rep’s And Then There Were None. But this is a perfect example of last but not least as director Laura Braza continues her roll of engaging productions by bringing together another star studded cast of local favorites and new faces in a dramatic and very effective production of this Agatha Christie classic.

The cast of And Then There Were None. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

And this is classic Christie but with some new wrinkles. Ten individuals are invited to a remote luxury home on an island off the coast of England. Three are employees of the host/hostess, a butler, housekeeper, and secretary. I will try to provide a decent backstory here without giving too much away. It turns out all three employees have been hired very recently by post, through an agency, and have never met their employers. And the guests have all been invited by letter from someone with some pretty bad handwriting so they aren’t sure who the host/hostess is or even if they know the person. But they come anyway. Such are the problems of the English idle rich in the early 20th Century. But we have a very very diverse group of complete strangers.

And then the shenanigans begin. Anonymous accusations, side stories, back stories, and questionable aliases until it gets serious and the guests start to die unexpectedly and inexplicably. But here’s where we stray from the typical Christie. There is no Miss Marple or Hercule Poirot to take charge and discover the miscreant. Instead the characters suspect each other and then form alliances and strategies to protect themselves. Despite there being a former cop, two former military men, and a retired judge in attendance, no one seems capable of doing anything effectively. So you will be left up to your own devices to determine the villain(s). But don’t worry, ALL will be revealed in the last act quite clearly and cleverly, if maybe not quite the way one might expect.

L to R: Armando Gutierrez, Mark Corkins, Steven Koehler, James Carrington. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

I am not going to do any deep dives into the characters to avoid giving too much away. OTOH, this is a famous book and movie, so maybe you know it already but…going into this without any knowledge of the plot and characters, I really had a great time!

And let’s start with our local favorites. I have enjoyed James Carrington any number of times in the big stage kids musicals at First Stage. A great voice and presence, Carrington manages to shrink that presence a bit as Dr. Armstrong, melting into a ball of nerves as the deaths pile up. Matt Daniels plays Rogers, the butler. Daniels has played Scrooge for a number of years in the Rep’s Christmas Carol. As Rogers, Daniels tries to bring forth a haughty Jeeves persona but can’t pull it off under the circumstances. Mark Corkins leads in with a formal and officious General MacKenzie, with maybe a bit cranky thrown in (and maybe a bit of irony as well). Surprisingly instead of being a take charge guy, Corkins’ general just fades into accepting whatever fate Christie has to offer. And the Rep’s recent Ghost of Christmas Present makes a short appearance as Todd Denning makes the most of a small part as the working seaman Fred Narracott, the ferryman who brings everyone to the island. Steven Koehler stomps about the stage, pontificates, demands answers and abeyance as called for, and thumps his cane to gain attention as needed, in the role of Judge Lawrence Wargrave. A far cry from Koehler’s iconic role as Lloyd in Guys On Ice.

L to R: Jessica Angleskhan, Steven Koehler, Max Pink. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

Others who have been with the Rep before: Max Pink plays Anthony Marston, a footloose and rather irresponsible young man who is the first victim . And Marcella Kearns, plays the butler’s wife, Mrs. Rogers, as a put upon, completely flustered, and highly strung housekeeper who is certainly stressing out in the chaos on the island. And coming from the Million Dollar Quartet where he played Carl Perkins, Armando Gutierrez plays William Biore, a former cop, who’s nose for crime doesn’t bode well for Biore or anyone else here. And Sarah Suzuki plays Vera Claythorne, the young woman hired to be the hostess’ secretary. Suzuki cleanly presents a solid secretary, keeping her cool, and clearly trying to make the most of a bad situation. But she also has feelings for another guest and is manipulated into an act of violence and eventually martyrdom. She was clearly an audience favorite on opening night.

L to R: Steven Koehler and Sarah Suzuki. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

And those making their debut at the Rep. Jordan Sobel is Philip Lombard. Sobel’s Lombard is something of a slippery fellow whose story doesn’t always line up, Emily Brent is a bit prickly and conservative and cold toward her fellow ‘guests’. Jessica Angelskahn knows her through and through. I would be surprised if we don’t see both of these actors on Milwaukee Rep stages in the coming seasons.

Michelle Lilly has put together an intriguing set of multiple levels that cause there to be extra suspense in the action as actors move up, down, in, and out of the set. There is also a magnificent ocean view beyond the room where the action is centered…AND…there are some wonderful art deco motifs around the room (don’t let them distract you, LOL).

L to R: Marcella Kearns and Todd Denning. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

Be forewarned: And Then There Were None runs two hours and fifty minutes including a 20 minute intermission. However, the pacing and tempo of director Braza’s presentation here will keep you enthralled, and you will find yourself surprised when ‘it’s over already?’.

One extra aside: once having seen the play and knowing how it all ends, it might be fun to return and try to connect the dots we missed that first time around as it all transpires.

Ticket Information!

Extra credit reading: The Program

Sarah Suzuki. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

Milwaukee Rep: George & Gracie: A Love Story

The Milwaukee Repertory Theater is presenting George & Gracie: A Love Story in their Stackner Cabaret. Written by local actor and playwright, Tami Workentin, who plays Gracie Allen here, it is part of World Premiere Wisconsin and is A John (Jack) D. Lewis New Play Development Program production.

George & Gracie: A Love Story starts with a framing tale of George Burns restarting his solo career after Gracie Allen’s passing. While waiting in the theater for his cue to go on, his mind starts to race through memories of the key points in his/their career and his life with Gracie. Workentin has merged portions of Burns & Allen routines with pivotal points in their private lives to bring us their love story.

Pictured L to R: James Pickering, Tami Workentin, Jonathan Riker. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

Beyond the nostalgia of ‘experiencing’ the magic of George & Gracie, there is also the excitement around seeing James Pickering in the lead on the small Stackner stage again, playing opposite his wife, Workentin. And their obvious affection for each other certainly contributes to their depictions of George & Gracie. And this is a love story for the ages.

The humor here has aged a bit. And it was apparent in the audience response a few times on opening night this past Sunday. Some things that I thought were funny got mild laughter or a few polite chuckles instead of the noisier response I would have expected. That’s not on Workentin. She pulled together a great group of jokes and gags that express Burns & Allen to a tee. I think it’s more to the difference in humor and sensibilities inherent in 2026 compared to the middle 20th Century. Remember, they retired their TV show in 1958.

L to R:Tami Workentin, James Pickering. Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater.

Tami Workentin is marvelous as Gracie. She has every tic, twist, and turn down pat and her inflection and timing certainly resemble Gracie and exemplify the era. Jame Pickering plays George Burns. When in contemporary Burns mode he is the loving mindful husband mourning the loss of his wife and partner. But when in the memory events, he seemed a little bit off. He certainly got the timing right and the jokes right but he didn’t quite have the joy and presence of George Burns. Sometimes its a curse to play a person still in the audience’s mind.

The third actor is one to really keep an eye on. Jonathan Riker plays the elevator guy. That doesn’t sound particularly significant, but trust me, he’s an integral part of the story. And at about 5 minutes before curtain, pay close attention to the stage. Similar to his first appearance in I Am My Own Wife at Milwaukee Chamber earlier this season, Riker is walking around the stage carefully positioning props, giving the stage one more sweep up, and picking up litter and a few scraps of torn newspaper. Just as the play begins, a bit of sleight of hand, and voila, magic! Watch, you won’t want to miss it. But after that Riker is in fact the elevator guy, train porter, bell hop, stage manager, radio announcer, and guide who keeps George on track. Riker helps sell this show!

L to R: Tami Workentin, Jonathan Riker, James Pickering. Photo by Michael Brosilow and courtesy of The Milwaukee Repertory Theater.

And the costumes are amazing for all three characters. And there are many costume changes in just this two hour show. But Jason Orlenko really went all out for the dresses and gowns that Workentin wore as Gracie. The colors and textures and fit is truly high couture.

And this is another Laura Braza direction…she has provided the Rep and Milwaukee theater any number of outstanding memorable experiences. This is another one!! Any time you see her directing, run out and see the play.

L to R: Tami Workentin, James Pickering. Photo by Michael Brosilow and courtesy of The Milwaukee Repertory Theater.

George & Grace: A Love Story runs in the Milwaukee Rep’s Stackner Cabaret from now through June 14, 2026. Running Time: Approximately 1 hour and 40 minutes with no intermission. Recommended Age: 14 and up.

Additional information and tickets here.

Extra credit reading: Program here.

Mrs. Christie. Where Were You…

Wisconsin playwright Heidi Armbruster leans into her strength and writes in a seemingly serious drama format but then wraps it all up in a hilarious comedy. This time Armbruster dabbles in a parallel universe around an unexplained disappearance by Agatha Christie in 1926 and a super-fan tries to solve the case from clues ‘discovered’ at a 2026 Christie festival on Christie’s estate.

Pictured L to R: Alex Keiper and Betsy Hogg. Photo by Michael Brosilow.

We first meet Agatha Christie in her home totally upset because she believes her dog has died. Alex Keiper’s Agatha is distraught, distracted, and clearly mentally elsewhere. And in many ways this sets the tone for her character deeper into the play. Armbruster’s and Keiper’s Agatha Christie isn’t the smart focused British writer that we would have anticipated. The very next instant it appears the dog is still with us but Agatha is also confronted with the open infidelity of her husband, Archibald Christie. And Matt Bowdren’s Archie is precisely the imperious and stuffy aristocrat that you might expect. Agatha clearly still loves him and he clearly wants to go and they are at an impasse. She won’t give him a divorce so he wants to prevent her from writing. Archie does everything in his power to hurt Agatha including parading his paramour around in their home.

Pictured L to R: Zoë Sophia Garcia, Alex Keiper, Dale Hodges, Blake Hamilton Currie. Photo by Michael Brosilow.

And then it is 2026 and there is an Agatha Christie festival going on on the grounds of the Christie estate. On the grounds is an important factor because we find ourselves in the same library work place as in the earlier 1926 scene. The home is now a museum and the library is off limits during the festival yet people keep wandering in. First is Lucy, a fan of Christie, who is attending the festival, and I guess is something of an ‘ugly American’? Zoe Sophia Garcia presents Lucy at seemingly loose ends and a little free with her hands. Touching everything, a few ‘relics’ make their way to her purse before she is confronted by the caretaker. She talks her way into staying a few more minutes when she encounters William, a Christie scholar and assistant to a Christie scholar. Blake Hamilton Currie is a smooth sexy lothario as William. And he has a few photocopied pages of a ‘lost’ Christie notebook that he uses as bait to seduce incredulous Christie fan girls. Garcia’s Lucy plays along but might be the better player and somehow manages to take possession of the lost papers. And then Dale Hodges as Jane wanders in. An elderly lady seeming just a bit confused, she sits down and starts knitting. But, she too is more than she seems and ends up partnering with Lucy to solve the mystery suggested in the purloined pages. Tally HO!

Pictured L to R: William Sturdivant and Alex Keiper. Photo by Michael Brosilow.

To avoid spoiling too much fun, I will simply say that we follow Christie to a seaside resort where she seems to exist in a drug induced haze…and Monsieur Hercule Poirot makes an appearance. Their conversations poke a lot of fun at detective story traditions and William Sturdivant nails the Poirot stereotype right on the head. And our intrepid Jane and Lucy turn their search for a solution into a scavenger hunt of sorts.

Pictured the cast of Mrs. Christie. Photo by Michael Brosilow.

But never fear, there is a traditional resolution. As a book end to a dinner gathering in Act I, all of the characters are again gathered together in the dining room of the Christie home. And everything is pretty formal and cold until Archie’s arm candy, Nancy, played by Amira Danan, falls to the floor after drinking her glass of wine. Everyone in the room has a motive and Poirot steps to the forefront. Every detective story ox is gored, all is revealed, and a solution to the case is found. This scene generated the greatest amount of laughter of the evening…as it should! It is smartly overwritten, overwrought, and overacted with hilarious results.

And laughter: kudos for Director Joanie Schultz for pulling out all of the wonderful humor built into this play. I didn’t expect to have quite this much fun with Mrs. Christie.

Character that you will hate: Charlotte, Mrs. Christie’s secretary. She is played by Betsy Hogg and shows up later as the 2026 as the gate keeper in the library, and at the beach resort. Hogg performs as exactly the same character in all three instances.

Pictured L to R: Dale Hodges and Zoë Sophia Garcia. Photo by Michael Brosilow.

Character that you will love: Dale Hodges, Jane. She is maybe the smartest cookie in the box and draws in our empathy as we watch her move through the real world. Generally she likes to travel alone but is willing to humor Lucy!

At one point, Lucy declares that they are just going around in circles. And at that point she and Jane literally are as the Rep has again pulled out a rotating stage. Initially used to change room locales, during their travels, our intrepid searchers are walking around the edge of the stage as it rotates. Marvelous scenic work by Se Hyun Oh.

Now, fair warning. This play requires all of your concentration. There are moments of sleight of hand that need to be seen that are important to the story. And with the English accents and Poirot’s Belgian French, you want to pay attention so you don’t miss a good joke!

Mrs. Christie runs about two hours and 15 minutes including an intermission. It is being presented on the main stage of the Checota Powerhouse Theater. It runs from now through May 10, 2026. Additional information and tickets can be found HERE

Extra credit reading: The Playbill

. Pictured L to R: Alex Keiper, Blake Hamilton Currie, Matt Bowdren, Amira Danan. Photo by Michael Brosilow.

All photos courtesy of the Milwaukee Repertory Theater.