University of Wisconsin – Milwaukee Disrespects Campus Architectural Art!

Back in the day when I attended the University of Wisconsin Milwaukee (fall of 1970 through December 1973), Bolton Hall was a free standing class room and office building. It was relatively new having been completed in 1964. It faced the grassy quad area north of Kenwood Boulevard and was north east of the original Student Union. Although not quite a brutalist building, it was certainly a design product of the period.

Today it is connected to the expanded Student Union. And instead of leaving one building to access the other, today you can access Bolton Hall from the Union via a glass enclosed walkway and there’s the rub. The walkway is visible in this contemporary photo of the building taken from the Spaights Plaza, a concrete expanse that replaced the green space during the Union expansion when a two level underground parking structure was built as part of the expansion.

screen capture from the University of Wisconsin Milwaukee website

The approach area to Bolton Hall from the south (the Union and Kenwood Boulevard) include a series of what apparently are cast concrete panels with an organic pattern incised into them. These panels appear on the south side at ground level facing the addition to the Student Union (which was completed in 1973 I think but I haven’t documented that at this time) and on the southeast entrance to the building. I have been on campus a bit over the past few years but haven’t walked around the building so I don’t know if this decorative motif adorns other entrance areas.

But here are few views of the southern exposure facing the Student Union. Quite a nice motif at ground level for an otherwise rather faceless building.

© 2022 Ed Heinzelman
© 2022 Ed Heinzelman
© 2022 Ed Heinzelman

These are still outdoors along a little used walkway but clearly visible from the food court seating area in the Student Union. So they are still being seen as they were meant to be seen for the most part. Although of course the space is confined compared to when there would have been open space south of the building back in 1964.

Now there are similar decorative panels at the south east entrance to the building that are enclosed in the glass atrium walkway. So you’d expect them to fair better being out of the elements and maybe they would…if not for the callous intervention of mankind. Here, take a look and you will see what I mean.

© 2022 Ed Heinzelman
© 2022 Ed Heinzelman

These poster frames are simply screwed into the concrete panels, totally disrespecting the integrity of the art work and the architecture. And they don’t really need these posters here. The university posts similar media on the the glass windows of the walkway and the Student Union on a continuing basis and being a high traffic area no one stops to read these anyway. I know, I had to work quickly to avoid including students in my photos…and the quality and focus suffered as a result. The following photo is the northern portion of the series without any disfigurement. I didn’t check to see if the was any sign of previous posters or frames.

© 2022 Ed Heinzelman

I don’t quite get the cavalier attitude that the university has taken in regard to this art work. They have carefully maintained any number of old…including very old buildings on the old Downer campus and of course the venerable Mitchell Hall. So they still work as comfortable classroom buildings. Why the careless disregard for this one…well…particularly the artwork meant to enhance the building and the student experience?

I majored in the visual arts and was urged to attend UWM because of their outstanding fine arts program. I loved my experience there so I don’t understand how this could happen. Was there or was there not any complaints from the art department or art faculty. And UWM also has a world class architecture school. Didn’t they notice the disrespect shown for a key building on their own campus?

I urge UWM to remove the frames and perform any restoration necessary…let these concrete murals speak for themselves…unblemished!…unhindered!

And one more photo from another vantage point. This one is from the north east portion of Spaights Plaza.

screen shot from https://www.emporis.com/buildings/281345/bolton-hall-milwaukee-wi-usa

The Bard, The Fab Four, The Rep or As You Like It

Roll up roll up for the Mystery Tour

Roll up roll up for the Mystery Tour

The Magical Mystery Tour

Is waiting to take you away

Waiting to take you away

Take you today

Magical Mystery Tour (Lennon/McCartney)

No, Magical Mystery Tour isn’t one of the twenty or so songs that powers this 21st Century mash up of Beatles music and a 400 year old comedy from William Shakespeare, but it should be an ear worm as you go to your seat because a Magical Mystery Tour is what the Milwaukee Repertory Theater is going to provide when you attend this version of As You Like It!

Courtesy of the Milwaukee Repertory Theater, photo by Michael Brosilow

And about that go to your seat. You will want to go to your seat ten or fifteen minutes early for a bit of pre-show music and a bit of foreshadowing of the action to come later. Trust me on this!

Starting with the solid bones of a Shakespeare comedy with the requisite villains and banished royalty and the resulting mayhem and then of course the woman going afield pretending to be a man is surprisingly enhanced by any number of appropriately selected and appropriately inserted Beatles songs. Who would have thought. But the whirlwind events plus the fluid cast movement from band member to featured soloist/character can sometimes add to the character confusion that Shakespeare revels in. But oh, never mind, what fun!

Daryl Cloran, who adapted and directed this production, had an over the top amount of fun tweaking the nose of the Beatles, William Shakespeare, and the Summer of Love. Yes this is over the top in a good way and you will need to stay alert to catch the varied references to the Fab Four, Shakespeare’s common strategies, and every cliche from various cultural era of the late 1960s…and of course the odd merging of WWE style wrestling…you can in part blame that one on the Bard!

Courtesy of the Milwaukee Repertory Theater, photo by Michael Brosilow

Savannah L. Jackson as the heroine Rosalind and Justin Gregory Lopez as her lovelorn love interest are incredible in establishing and toying with their relationship(s) as their situations and interactions change. From that first meeting through the hidden identity to the grande finale, they are the magic in the As You Like It part of this event.

Courtesy of the Milwaukee Repertory Theater, photo by Michael Brosilow

But my goodness, Lizzy Brooks as Celia just exhibits an incredible voice and her renditions of Beatles songs, for me, stole the show! Another favorite vocal standout is Kurt Schwietz, who plays a number of roles throughout the evening.

And, I almost forgot…don’t miss our resident despondent beat poet Andy Warhol look a like, Jacque, most ably played by Trish Lindstrom!

And in a contemporary turn of events, with Savannah L. Jackson as Rosalind disguised as Ganymede, we have a woman playing woman playing a man…a bit of a twist on what Shakespeare would have written for his theater…a young man playing a young woman playing a young man. The Ganymede disguise would have been more believable in 1600 than in 2022 but now it is impossible not to see the woman beneath the male garb. But all the more fun because it twists and turns the jokes that Shakespeare built in making fun of the gender confusion…and it takes on some humorous new aspects in this presentation!

One small quibble…as a former cover band musician and long time Beatles fan, the drums were under mixed and the guitar could use a little more sass…particularly on Helter Skelter.

P.S. This is a British Columbia Invasion coming from the Bard on the Beach Shakespeare Festival in Vancouver.

As You Like It just opened so there is plenty of time to see it between now and March 20, 2022 in the Rep’s Quadracci Powerhouse Theater! Here are the details and links for tickets. And please pay attention to the COVID safety protocols.

Extra credit reading?

The As You Like It program.

And the As You Like It Playguide.

Now, the only thing missing is Ed Sullivan’s “Ladies and Gentleman, THE BEATLES!”

Courtesy of the Milwaukee Repertory Theater, photo by Michael Brosilow