With ‘Go Dog Go!’, First Stage Presents Dogs At Work and Dogs At Play!

This is an absolute marvelous bit of silly! Yes!!

But before we dip into the fun, let’s talk about the serious stuff. This is a bilingual play and it’s Spanish title is Ve Perro Ve! Don’t let this intimidate you. There is no actual story and no complex dialogue. And most every line is spoken in English and then Spanish or in Spanish and then English. So worst case scenario, you learn a few more vocabulary words. And quite frankly, the story will unfold and you will have just as much fun even if you don’t speak either language.

(L to R) Sarah Zapiain, Valentina Vega, Savannah Carlson, Mia Raines, John Sajdak, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

This is the opening show in First Stage’s 40th Year. And they’ve stumped me again by presenting a play based on a children’s book that I was not familiar with. A very popular book written by P. D. Eastman which has been adapted for the stage by Allison Gregory and Steven Dietz. The work was translated by Ana Maria Campoy. This is indeed a musical and the music was composed by Michael Koerner.

So let’s get back to this marvelous bit of silly that director Michelle LoRicco has brought to the stage. First, this show is recommended for age 3 and up and LoRicco has certainly channeled her best three year old self and has clearly communicated with my inner three year old. Bravo! What that means is this show is fast moving and bright and playful and the music is warm and sincere and silly! How LoRicco blended all of the personalities of the characters and the music and the limited story is a delight for sore eyes. So I said story and no story? Well:

(L to R) John Sajdak, Valentina Vega, Charlie Machata, Sarah Zapiain, Ellie Gutierrez, and Mia Raines. Photo by Paul Ruffolo and courtesy of First Stage.

There are seven characters in Ve Perro Ve! All seven of them are dogs: red dog and blue dog and yellow dog and green dog and MC dog and spotted dog and Hattie. And maybe you could say this play is tri-lingual because sometimes the dogs speak or sing in English, and then Spanish, and sometimes in just, well…dog. And the story is just a series of skits or events that seamlessly flow from one to another. And our dogs work hard building things with their prop hammers and saws and screwdrivers. One of the best bits in the work session is riveting (pun intended), as each dog takes a turn trying to control a jack hammer. High humor indeed.

Other bits include a game of baseball, played for high humor, and high action. A car race! A visit to a carnival with a Ferris Wheel and roller coaster. A swimming session. I didn’t know that dogs could climb trees, but our favorites here manage to do exactly that. And a particularly apt segment for all of the parents and grandparents in the audience, is when the MC Dog tries to get all of the other dogs to call it a day and go to sleep, but instead we have dogs at play!

If you have been following my coverage on First Stage or are familiar with them, you know that the plays that feature their younger actors run with two casts. These casts alternate appearance dates. So if you plan on seeing a particular young actor, check in at the links below, and make sure you select a date when they will be performing before you buy your tickets. I saw the El Pequeno cast.

Sarah Zapiain. Photo by Paul Ruffolo and courtesy of First Stage.

The one character and one actor who will be present in all of the performances is MC Dog played by Sarah Zapiain. Zapiain is the only adult in the room, quite literally. She directs the other dogs in much of the action on stage, tries to get them to go to sleep, and keeps an eye on the red light/green light. She is a perfect MC Dog and just a delight from start (when she plays peek a boo with the audience) to finish in the grand finale. Her effervescence and energy are a joy to watch but keep a close eye on her, she can be subtle in her actions too.

As I said, I saw the El Pequeno cast. As always, their presence and preparation are very professional for any age actors. And this isn’t an easy play to perform, moving almost without let up from one skit to the next. And this is a musical of sorts and their solo and ensemble singing was just wonderful. There is even a song early on that injects some ‘scat style’ non-sense syllable singing and they all nailed it. As a baseball player, I loved Mia Raines’, as Yellow Dog, flawless slide into second during the baseball game. Savannah Carlson as Hattie, certainly stood out as a very confident and skilled actor. After MC Dog, Carlson’s Hattie is a stand out performance.

(L to R) Elzie Flenard . IV, Rosemary Marotta, and Sarah Zapiain. Photo by Paul Ruffolo and courtesy of First Stage.

First Stage’s prop, costume, and set designers are the best in Milwaukee. And they proved it again with Go Dog Go! It’s not that they always produce elaborate sets and costumes, but they often do. But that they always provide absolutely spot on sets and costumes that propel the story along while just using the minimum of attributes to identify the character or the scene. And their use of color is fascinating.

And for Go Dog Go!, the music was a delight as well. Driven by an accordion from that open peek a boo session to the grand dance finale, it fit the mood and action perfectly. At times the accordion was augmented with some percussion and a woodwind or two. And the music set the scene without being obvious but we would certainly miss it if it wasn’t there. That’s the sign of great music. Jessica Marks is the music director for Go Dog Go. It is her first First Stage appearance and welcome, I loved the music here.

So, let’s get back to the environment for just a moment. The Goodman Mainstage at the Milwaukee Youth Arts Center is theater in the round. So there is seating on all sides of the stage and the audience is never more than four rows away from the action. And for Go Dog Go!, the chairs for the first two rows have been removed and replaced with carpet squares so that younger guests can be closer to the action and squirm and wiggle to their heart’s content. The stage for Go Dog Go! is a simple raised oval dome, brightly painted with a street motif around the edges and a green space in the center.

(L to R) Ellie Gutierrez, Valentina Vega, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

This provides just the right setting for the ball game, car race, and sleep scenes. And is open enough to allow the entire ensemble to dance and move about freely as they tell their story. And how do I know that this all works? I just watched the preschoolers and elementary age children on those carpet squares around the room. They are completely entranced and engaged for the entire play. That was fun to see. The singing is made up of conversational songs or simple ensemble tunes, no boring arias to pull them out of the magic. And at the very end for just a few moments, the cast invited the audience on stage to join in the final dance segment. Fun to watch? Yes! But the real fun was seeing some children want to participate but afraid to go on stage, some just rushing out there, and the one little girl who had to be coaxed back to her seat by her brother when it was over! First Stage shows are always good theater and I enjoy that. But, as parent and grandparent, watching young people interact with theater is very rewarding too.

This show is for audiences of age 3 and up. And as I said above, these young people were fully engaged throughout the show. And at just an hour, they won’t have time to get restless or bored. So if you are thinking about introducing a youngster to theater for the first time or bringing them to a new show, Go Dog Go! : Ve Perro Ve! is the one for you!

First Stage will be presenting Go Dog Go! from now through November 1, 2026 at the Goodman Mainstage Hall at the Milwaukee Youth Arts Center just north of the Deer District. There is an adjacent free parking lot. Runtime: The runtime of this play is: approx. 60 minutes, with no intermission. The age recommendation of this play is: We recommend this show for ages 3+.

More information here! And ticket information here!

Extra Credit Reading: The Enrichment Guide

(L to R) Valentina Vega, Mia Raines, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

Et Tu, First Stage? The Young Company Presents Julius Caesar!

There I was, on the eve of the Ides of March, sitting in the intimate main stage theater of the Milwaukee Youth Arts Center, as one of William Shakespeare’s most acclaimed tragedies begins to unfold before me and I see and hear Caesar being warned…Beware the Ides of March!!!

My regular readers will know this but I like to remind everyone that the First Stage Young Company is made up of high school age theater students who perform adult plays generally without any adults in the cast. And they perform on the main stage in the Milwaukee Youth Arts Center. This stage is a theater in the round with no more than four rows on either side, so every audience member is close to the action. And they use very minimal stage furnishings and plain and simple costuming so that they can let their actions and the text tell us some very compelling stories. But don’t think for a moment that this is anything but engaging and demanding theater. The Young Company has become my favorite theater group.

(L to R) Ben Nowacek and Abbie Cashman in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

Unlike the bigger musical productions at the Marcus Performing Arts Center, the Young Company does not have two alternating casts, so you will see the actors that I mention here.

Edward Owczarski plays an ideal Caesar. Owczarski is regal without seeming imperious but shows that his Caesar can easily be swayed by flattery and is he too ambitious? He treads that fine line that would suggest you could see that either way. Ben Nowacek is a very true and loyal son of Rome in his depiction of Brutus. Showing a bit of doubt for a moment, once he makes up his mind he is all in! I’d say Nowacek’s Brutus is more ‘imperial’ than Owczarski’s Caesar. But where does Nowacek falter fatally? In his funerary speech just before Marc Antony. And then there is Marc Antony, portrayed by Paxton Haley. Haley never waivers, never falters, and is the epitome of the faithful and determined Antony. Haley understands Antony and her version of Friends, Romans, Countrymen, rings out just as you would expect and will sway you to her cause.

(L to R) Cai Weiss and Natalie Ottman in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

But the one actor that dominated every scene she appeared in was Natalie Ottman as Cassius. Ottman is wired, on edge, determined, and strident all at once and her energy as she strode back and forth across the stage just drew the focus to her Cassius even when Brutus or Marc Antony was present.

Natalie Ottman in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

One always interesting event is part of every First Stage performance. There is a brief talk back where audience members can ask questions of the cast about the performance or the play or the preparations. This time a question asked about the director Ken Miller and how he prepared the Young Company for this very adult and tragic play. And the answer is, during the early table read throughs he encouraged the actors to read their characters in the manner they interpreted for the mood and emotions of their character. And from there he and they refined the action and characters collaboratively. So these young actors are learning more than just how to act…

(L to R) Silver Anderson and Paxton Haley in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

The Young Company recommends Julius Caesar for families with young people ages 14-18 and Shakespeare fans of all ages!

However every young person is different and may or may not be ready for certain elements of each production. The play Julius Caesar contains descriptions and depictions of violence and self-harm.

I haven’t seen nor read Julius Caesar in quite some time. It is amazing how of the time many of the story lines here feel…sadly contemporary.

The play runs about two hours including a 15 minute intermission.

Julius Caesar is playing at the Milwaukee Youth Arts Center from now through March 22nd, 2026. Additional information including full cast listings and tickets can be found HERE!

Extra Credit Reading: The Enrichment Guide

Cai Weiss as Casca in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

Lovabye Dragon, A Look At Friendship Up Close And Personal

First Stage has put together one of the cutest productions for the younger set that I have seen over several seasons. And to make it even better it is in the very intimate Goodman Mainstage at the Milwaukee Youth Arts Center. The Goodman is a theater in the round so no one is far from the action. And to add to the fun many of the front row chairs have been replaced with carpet squares so the youngest among us can have a stage side front row seat! This play appeals to the 3 to 8 year olds so this seating arrangement was well met…yes it was!

Lovabye Dragon was adapted from Wisconsin author Barbara Joosse’s Dragon and Girl books by First Stage’s Executive Artistic Director Jeff Frank and Barbara Joosse with original music by The Happy Racers. And Director Marion Frank makes it all sing and come alive on stage!

Christopher Feiereisen (left) and Mac Heinrich (center) and the Magic Cast in Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

Since I don’t anticipate too many 4 year olds reading this review, I don’t think I need to hold back on any of the story. We meet Girl, a princess, celebrating her birthday with her Mother, the Queen, and Father, the King, in their castle home. After blowing out the candles on her cake which is almost immediately swept away, she opens her birthday present. It is a stuffed dragon. She laments that she asked for a real dragon and even wished for one as she was blowing out the candles on her cake. Mother and Father of course, being protective parents, outline all of the reasons that a dragon is unsafe…and you can never ever really trust a dragon. Father: “My motto is: Play it safe”. And then for safety the girl is sent to her room. She cries in sadness and frustration and her tears magically transport to the cave of a dragon, who too is lonely and in due course the dragon comes to her rescue (and his own as well).

Izze Yanovskiy (left) and Lainey Techtmann (right) in Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

And Girl suggests that they go outside and play and engage in a round of hide and seek. Girl has never been outside. But Girl hides too well and too far from the castle and night falls before they are reunited. Girl finds a treasure map in a bottle washed up on shore and they are off on a great great adventure…with challenges and new characters…and three little Viking trolls who want her gold. But here is the moral of our story…gold is friendship and our Vikings quickly understand that true friendship is truly gold.

Bree Beelow (front), Mia Raines (middle), and Owen McDonald (back) in Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

Like many First Stage productions for youngsters, this play is anchored by a number of adult actors. Bree Beelow as Mother, Jesse Weinberg as Father (and part of the dragon…more later). The most involved adult here is Christopher Feiereisen as the Troubadour. Luckily for us and Girl and Dragon, Feiereisen isn’t quite an adult in his own imagination yet. He clearly displays the youthful and playful character of a youngster, all the while framing the story for us in wonderful rhyme and dance and music. If it weren’t for the dragon, Feiereisen would be the star of the show.

(L to R) Amelia Sajdak, Penny Whitmore, and Christopher Feiereisen in Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

And as usual, the young actors are split into two casts, the Magic Cast and the Wish Cast. The named lead of course is Girl who is played by Lainey Techtmann in the Magic Cast and Amelia Sajdak in the Wish Cast. I saw the Magic Cast, and they were marvelous. Girl has the major speaking role and also performs a number of the key songs that tell the story. But from experience, no one will ever be disappointed by any cast in a First Stage production. But do keep in that if you wish to see a particular young actor, pay careful attention to which cast they are a part of and which days they perform.

Magic Cast of Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

And now, THERE ARE PUPPETS! What wonderful, what marvelous puppets. And I enjoy puppets a great deal and First Stage always uses them to great effect and has an amazing puppet workshop (see my previous posts on First Stage presentations to see a vast array of their puppetry). The major puppets are of course Dragon, operated by three actors, one working the head, one working the tail, and one serving as the legs and framework of the body. A great colorful walking dragon!

And there are a number of smaller dragons who represent the dragon in travel and the three little Viking trolls who are just as lively and incredible as our dragon. Props to puppet designer Brandon Kirkham and his helpers.

Wish Cast of Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

One amazing thing I did learn: Dragons wag their tails when they are happy!

And one other feature of every First Stage production. There is always a short talk back at the end where the younger members of the audience get to ask questions of the cast. It is such fun to hear what they see and how they react to each play. This time one young lady was perplexed on what Girl’s name was. She didn’t want to accept that it was Girl. And one young man wanted to know why it took two people to work the dragon puppet. It is pretty large as is apparent in the photos. He was surprised to find out that it was actually three actors…he had missed the actor inside the body allowing the dragon to dance and walk.

First Stage’s Lovabye Dragon is at the Goodman Mainstage at the Milwaukee Youth Arts Center from now until February 15th, 2026. Additional info and tickets here.

Approximately 50 minutes with no intermission. Recommended for families with young people ages 3-8 and brave explorers of all ages.

Extra Credit Reading: Enrichment Guide! Social Narrative!