PSA: It’s MILWAUKEE CHAMBER THEATRE’s 50th Anniversary, And Here’s How They Plan To Celebrate With Their 2024/2025 Season!

From our friends, at Milwaukee Chamber Theatre:

“Fifty seasons is a unique and special accomplishment for a performing arts organization of any size, and we’re thrilled and honored to be celebrating it,” says Artistic Director Brent Hazelton. “‘Past, Present, and Future’ feels like an apt theme for an anniversary season, and each of the plays in our 24/25 season focuses on characters examining what has come before to better understand their present in order to build a better tomorrow. We’re thrilled to kick off MCT’s next five decades as we celebrate the legacies of MCT’s founders Montgomery Davis and Ruth Schudson and the leadership of Michael Wright and Kirsten Finn that built MCT into the company that we know and love today.”

Over the past five seasons, MCT has continued its five-decade commitment to strengthening and developing Milwaukee and Wisconsin’s professional artist community while also reflecting the region’s rich cultural diversity at every level of the organization through productions of exceptional plays rooted in rich text from unique voices and perspectives.

Milwaukee Chamber Theatre (MCT) Artistic Director Brent Hazelton and Managing Director Megwyn Sanders-Andrews, Ph.D., are excited to announce MCT’s 50th Anniversary 2024-2025 season. MCT celebrates this remarkable milestone with a season of reimagined timeless classics, crowd-pleasing favorites, a Milwaukee premiere, and must-see plays from two of America’s greatest living playwrights. The 2024-2025 subscription season—themed “Past, Present, and Future”­—is comprised of:

AN ILIAD  

by Lisa Peterson and Denis O’Hare 

Directed by MCT Artistic Director Brent Hazelton 

Featuring Kellen “Klassik” Abston and N’Jameh Russell-Camara 

September 19 – October 6, 2024 

Milwaukee Youth Arts Center Goodman Mainstage Hall 

A Modern Take On A Timeless Classic | A lone Poet, exhausted from the front lines of history’s epic wars and aided only by a single Muse, steps onto an empty stage and weaves a tale filled with honor and hubris, fortitude and fallibility, and righteousness and blind rage. Intimate, urgent, and incisive, this modern retelling—adapted from Robert Fagles’ gold-standard translation and featuring a live score from Milwaukee’s own Klassik—hones Homer’s epic to a gleaming edge as captivating as it is timeless. 

CLYDE’S  
by Lynn Nottage 

Directed by Dimonte Henning 

Featuring Bryant Bentley, Lachrisa Grandberry, Justin Huen, N’Jameh Russell-Camara, and more to be announced 

November 8 – November 24, 2024 

Broadway Theatre Center Studio Theatre 

2022 Tony Award Nominee for Best Play 

Milwaukee Premiere | From the director of last season’s smash hit THE MOUNTAINTOP comes two-time Pulitzer Prize-winner Lynn Nottage’s new “flavor-bomb of a comedy” (Variety), that’s “a spicy feast for the senses” (Chicago Sun Times). In a diner kitchen that might be hell, limbo, or just a greasy spoon off the Pennsylvania turnpike, four formerly incarcerated cooks strive for redemption through their shared quest to create the perfect sandwich—all under the devilish gaze of their hard-driving boss. CLYDE’S combines uproarious humor, fulsome heart, and generous hospitality into a delicious theatrical meal that shows why Nottage is among America’s greatest living playwrights.  

A DOLL’S HOUSE 
by Henrik Ibsen, in a new version by Amy Herzog 

Directed by MCT Artistic Director Brent Hazelton 
Featuring Joshua Krause and more to be announced 

January 24 – February 9, 2025 
Broadway Theatre Center Studio Theatre 

2023 Tony Award Nominee for Best Revival 
2023 Drama Desk Award Winner for Best Adaptation 

Classic Masterpiece | For only the second time in 50 years, world-changing dramatist Henrik Ibsen appears in an MCT season! His most famous play, presented here in a compact, devastatingly contemporary, and celebrated new adaptation, shocked audiences and ushered in a new era of theater when it premiered in 1879. Culminating in what George Bernard Shaw described as “the door slam heard round the world,” today it continues to unsparingly examine the difference between being married and living in a true marriage. 

EVERY BRILLIANT THING  
by Duncan McMillan and Johnny Donahoe 

Featuring Elyse Edelman and more to be announced 

February 27 – March 16, 2025  

Milwaukee Youth Arts Center Goodman Mainstage Hall 

Warm-Hearted Favorite | 1: Ice cream. 2: Kung Fu movies. 3: Staying up past your bedtime to watch TV…and those are just the start of a list of every brilliant thing that makes life worth living created through this luminous mix of theater and stand-up. Described by The Guardian as “one of the funniest plays you’ll ever see about depression—and possibly one of the funniest plays you’ll ever see, full stop,” this well-loved coming-of-age story celebrates each of our capacities to delight in the little things and our resilience in going further than we think we can for those we love. 

TOPDOG/UNDERDOG  

by Suzan-Lori Parks 
Featuring Dimonte Henning and Chiké Johnson 

April 25 – May 11, 2025  

Broadway Theatre Center Studio Theatre 

2002 Pulitzer Prize for Drama 

2023 Tony Award for Best Revival of a Play 

Modern Classic | In this Pulitzer Prize-winning masterpiece by “the most consistently inventive, and venturesome, American dramatist working today” (New York Times), brothers Lincoln and Booth struggle for the upper hand as they grapple with unresolved inheritances and how to play the cards they’ve been dealt. At once a rollicking portrait of sibling rivalry, a probing exploration of the complexity of family, and a resonant allegory of American identity, this can’t miss production will have you howling with laughter one moment and on the edge of your seat the next. 

MCT will perform CLYDE’S, A DOLL’S HOUSE, and TOPDOG/UNDERDOG in the Broadway Theatre Center’s familiar 95-seat Studio Theatre and will perform AN ILIAD and EVERY BRILLIANT THING in the Milwaukee Youth Arts Center’s (MYAC) Goodman Mainstage Hall, an inviting 152-seat in-the-round venue. Each production has been matched with its respective venue to take best advantage of their seating orientations in order to deliver thrillingly intimate experiences for audiences.

Single tickets will go on sale on August 1. For additional information about subscription packages, please visit www.milwaukeechambertheatre.org/24-25-season or call 414-276-8842.

‘A Rock Sails By’ Commands The Stage At Lake Country Playhouse!

This is the end of the season play that you must see. Now to paraphrase a line from mid-play, it is ok to get lost sometimes…which is how you will feel as this drama unfolds in front of you. And, yes, it is ok…now a quote…shut up and eat the damn donuts! If that doesn’t pique your interest, you need to get lost sometimes!

A Rock Sails By is a relatively new play by Sean Grennan and the world premeire was presented by the Peninsula Players in Door County WI in 2023. And once again the Lake Country Players recognized the value in a new play and despite the complex story grabbed a hold and brought it to life. Director James Baker, Jr. assembled an amazing cast here who embody these realistic contemporary characters and coached them through the tough and endearing scenes that too many of us have to face.

Todd Herdt as Jason Harper and Sandra Baker-Renick as Dr. Lynn Cummings. Photo courtesy of James Baker, Jr at Lake Country Players.

The facade so to speak is the appearance of an interstellar object that actually ‘invaded’ our solar system in 2017. It was called Oumuamua, which is Hawaiian, roughly ‘first distant messenger’. And from there Grennan weaves two stories that intertwine around the life and loves of fictional astrophysicist, Dr. Lynn Cummings!

At first, Sandra Baker-Renick presents us with a very self confident Dr. Cummings who seems bemused listening to a phone message from a gentle but perplexed male voice who is obviously her husband. And then she starts to replay it but hides it when her daughter Olive arrives on the scene. That may seem odd but I recognized it immediately. The voice on the phone belongs to Dr. Cummings late husband and she is relishing in one of the few physical manifestations left to her of their life together. Baker-Renick immediately puts us in place to empathize with Dr. Cummings over her grief now and eventually the other events that put a cloud over her life. And the question, Are You All Right, and response, I’m Fine, takes on multiple meanings.

Sydney Faris as Haley and Sandra Baker-Renick as Dr. Lynn Cummings. Photo courtesy of James Baker, Jr at Lake Country Players.

And the arrival of Oumuamua, puts some ideas in the head of Jason Harper on breaking a story about, well who knows what. But the space rock isn’t behaving in the same way as intra-solar system comets or meteors, and there are visions of E.T.s and little green men dancing in his head. And despite claiming he is a journalist, he quickly succumbs to his editor’s request for a click bait article…and pesters Dr. Cummings, the local expert in astrophysics, for an interview until she relents in exchange for donuts. And she has a little fun with him at first but he goes away with facts and information but little that will give him that blockbuster story. So he fudges a bit and manipulates the facts a bit and achieves his goal but at great cost to Dr. Cummings. He later apologizes…but! Jason Harper as played by Todd Herdt, although not quite smarmy, certainly plays Harper as a self-interested and self-motivated amoral persona despite his protestations of ethical journalism. And Herdt certainly rings true to a very gullible Harper as Olive and Dr. Cummings play a bit of a trick on him. And when invited along to visit an observatory to view Oumuamua, he still can’t let go of the dream of alien contact instead of just accepting…it’s just a rock.

Sydney Faris plays Haley, Dr. Cummings assistant and Faris immediately presents us with a harried and almost out of control young woman. I immediately wondered how this persona became the assistant to such an accomplished and revered professor. And then the story unfolds and she is carrying a very heavy weight…loyalty to Dr. Cummings, responsibility to the doctor’s students, and responsibility to the greater university itself.

Where does so much angst come from in what would seem to be a light and whimsical play? Well it lies in the, Are You All Right, questions as we experience Dr. Cummings freeze up and zone out a bit any number of times. Most of the other characters have seen it and students have reported it to Haley and then she in turn reported it to the chancellor. And there in lies the rub. With the sensational and untrue news item running around the internet about Oumuamua with misused quotes from Dr. Cummings, the chancellor uses the story to cover his decision to put Dr. Cummings on leave for her health issues. At first you might think that she is still in mourning but we’ve been to the doctor with her…and she is in early stage dementia…a diagnosis that rocks her world. But Dr. Cummings first response is to contact Harper to try to get him to retract his story and she too uses donuts to lure him to a meeting.

side note: despite innumerable sighs and suggestions from Dr. Cummings that the why of the donuts being so good is a mystery, Harper never thinks that there might be a ‘story here’! Or am I just projecting?

And then at the observatory, The Messenger arrives. Goo, in a sudden and eerie and almost menacing entrance appears to Dr. Cummings just as Oumuamua reaches its nearest point to earth. In a bright white suit and a glaring spotlight, Goo struggles with their surroundings and a foreign language. We get lost here. Is The Messenger an alien life form or a space traveling robot or an angel from heaven or an early manifestation of Dr. Cummings impending onset of dementia. We will never quite know but Dr. Cummings seems to find her answer.

Goo as The Messenger and Sandra Baker-Renick as Dr. Lynn Cummings. Photo courtesy of James Baker, Jr at Lake Country Players.

And let’s not forget Olive Cummings as played by A. Schultz. Olive is a devoted and loving daughter not always unlike her mother. When she suggests moving home, her mother objects saying they would be tired of each other and at odds the first day. Maybe so. But Olive, as portrayed by Schultz seems a bit more comfortable with her emotions and life outside of academia and the audience immediately took a shine to her. But the two certainly share the same sense of humor as they tease Harper, and Schultz obviously relishes that bit of playfulness. And she is the one who convinces us that it is ok to get lost.

This play is heavily reliant on dialogue and minimal sets…so Director Baker and Light and Sound Tech, Breanne Brennan have pulled together their own little universe in LCP’s black box theater, with background videos of space, cosmic debris, and lawns and paths across university quads on projected backgrounds, all augmented with space music or bird/cricket sounds to put us in the proper scene and locale. It works really well.

I probably have said too much about the play and the plot, but I think that you should really see this…for Sean Grennan’s story and James Baker Jr and his cast’s story telling!

A Rock Sails By is running through May 24, 2024 at the Lake Country Playhouse in downtown Hartland WI. More information and tickets are available here.