First Stage’s Last Stop On Market Street!

This is whimsy. This can get silly. This is un-ADULT-erated fun. The staging and lighting and music here will be a real treat for the intended younger audience. But that doesn’t mean that there isn’t a relevant story here…we are going somewhere…where there is so much to learn. Pitter patter.

Director Johamy Morales must just have had a ball putting this play together and filling out the characters and movement and action in Last Stop On Market Street. And despite the word stop in the title, there is no STOP in the action as the story unfolds over the 55 minutes presentation (without intermission). And Last Stop On Market Street is being presented at the Milwaukee Youth Arts Center (325 W. Walnut, Milwaukee, WI) in the round in their delightfully intimate theater. So no child will be more than a row or two from the action. No one will miss anything!!

Bubbles Cast: Christian Berman (center) and cast in LAST STOP ON MARKET STREET. Photo by Paul Ruffolo.

And my goodness, hats off to the technical team at First Stage. They certainly engage everyone’s imagination with their creative use of color, costumes, props, and sets. On the face of it, many of these things verge on the minimal but the audience is never left in doubt about where we are or who the characters are. So subtle while being so descriptive (I have been amazed by this all season, but it is even more apparent in Last Stop On Market Street).

And as in all of their other plays, First Stage is using two casts to give as many young actors a chance to perform as possible. I saw the Rain cast on a lovely Mothers Day morning. The other cast is the Bubbles cast. The photos here were supplied by First Stage and I will use images from both casts.

Rain Cast: Madison Jones, Selena Deer, and Allie Babich in LAST STOP ON MARKET STREET. Photo by Paul Ruffolo.

But our story revolves around CJ and his Nana as they travel to church and later across town to the last stop on Market Street. CJ has a solo at church and has a frog in his throat, although to my eyes, more like butterflies, but as most any young performer we can easily relate to the anxiety. But from there we follow CJ through some adventures, both real and imagined, that are obvious focal points in any young persons growth in awareness and experience. A lot of questions get asked, some of them answered directly, but most by observation. And that’s the true nature of the Last Stop On Market Street. Learning through experience, questioning, and observation. Quite a miraculous journey in just those 55 minutes.

The stand out performer here is Samantha D. Montgomery as Nana. She just nails it as a loving caring mentor and teacher for the inquisitive CJ. From the sparkle in her eye and in her voice to the patience she shows…she’s just the woman you’d want for your Nana! And there’s just a sense of awareness of her own mischief underlying her knowledge!

Rain Cast: Madison Jones and Allen D. Edge in LAST STOP ON MARKET STREET. Photo by Paul Ruffolo.

And those 55 minutes are filled with a lot of action in the form of street activity, dancing, singing, and just watching as the actors move in and out from the stage in seemingly constant motion (making handy use of three different entrance ramps to access the central stage). But pay close attention to costume changes…many actors (particularly the adult actors) are playing multiple roles, and the clever costumes help define the character and their role in our story.

Bubbles Cast: Allie Babich and Christian Berman in LAST STOP ON MARKET STREET. Photo by Paul Ruffolo.

This play is aimed at First Stage’s younger audiences: their recommendation is for families with children 3 to 7 and older. More information on the play, First Stage, and tickets can be found here! The play runs from now through June 12, 2022.

Rain Cast: Madison Jones and Samantha D. Montgomery and cast in LAST STOP ON MARKET STREET. Photo by Paul Ruffolo.

Here’s the playbill!!

But here is an Enrichment Guide with before and post show activities to enrich a young persons engagement with the play.

Bottom line, the young audience in attendance when I was there were very involved with the play and the story. And they asked some very inspired and relevant questions during the talk back with the actors as play’s end.

Bubbles Cast: Allen D. Edge, Christian Berman, Samantha D. Montgomery, and Selena Deer in LAST STOP ON MARKET STREET. Photo by Paul Ruffolo.

Things I Know To Be True at The Interchange Theater Co-op

It isn’t very often that you get the opportunity to see a compelling contemporary play on two stages in your home town in the matter of a few years. Our first opportunity was the very challenging production performed almost exactly three years ago at the Milwaukee Repertory Theater. (my response can be found here – although this was before I started An Intuitive Perspective). So when The Interchange Theater Co-op announced that they were presenting Things I Know To Be True, I was intrigued.

from The Interchange Theater Co-op website

And I am not the only one taken by the Rep’s presentation. Co-director Kimberly Laberge was as well…and she says this in her notes in the program:

When I first saw Things I Know To Be True at the Milwaukee Rep in 2019, I was awestruck by how different this felt from any other family drama I had seen. I adore the balance of elevated movement and rooted scenework, yes but it was the nuance that stayed with me.

Well, along with co-director Cory Fitzsimmons, Laberge displayed her mastery of that nuance and staged an amazing production of Things I Know To Be True. I had seen the play before. I know the characters. I know the story. Yet, this presentation completely immersed me in this family once again and I laughed at the subtle humor and I cried when things went awry. I wouldn’t have expected such a strong reaction given my previous experience with the play. And I wasn’t quite past my emotional response when I greeted Laberge in the lobby afterwards (I hope she didn’t notice). But clearly some form of katharsis that Fitzsimmons describes in his notes as a certain attribute of this play.

from the Things I Know To Be True Facebook page

And what have we here? A play about a successful middle class Midwestern American family: loving parents, two sons, two daughters. From a distance there seems nothing wrong…no dysfunction…typical nuclear family. But as we get to know them better, we realize that all six have doubts, have flaws, personal stressors, and to each their own form of dysfunction. So not quite the typical family after all but no family would have as many trials to face as this one.

Laberge and Fitzsimmons have taken all of these seemingly distinct personalities and kept them in place within the family dynamic, yet allowing each to excel at their individual monologues and stories, while guiding us through the damaged family culture as it exists. They did this with the necessary drama, tenderness, edginess, and all out family discord that the text calls for. And they added a number of silent vignettes between the dramatic scenes that help illustrate the story and relationships without unnecessary dialogue. Marvelous.

And they couldn’t have accomplished this without the perfect cast…and they have a group here who understood their characters, their place in the world, and their place in the family. And the children at least realized that their best bet to become someone: themselves, was to leave the family home…which always provided shelter when they felt troubled.

The family? Kim Emer as Fran Price (mom), William Molitor as Bob Price (dad), Chloe Attalla as Rosie Price, Mary Seigel as Pip Price, Mari Mercado as Mark Price, and Joshua Groth as Ben Price.

Kim Emer, Photo credits: Mari Mercado and Kimberly Laberge.

The key character is mom, Fran Price. And Kim Emer is outstanding in this role. Seemingly the perfect mother we soon realize that she is insecure and wants to control the family dynamic to her own ends and visions. So she often interrupts her children as they are talking to tell them how they feel or what they are doing. Late in the play, her husband Bob, asks why she is always so angry…and by that point she often is…but she’s overcome by her lack of control of the situation as each of her children are making choices that she wouldn’t have chosen for herself nor for them. Emer is dynamic in this role and never loses sight of who she is or what she wants to accomplish in life. I can’t imagine a better casting.

Chloe Attalla, Photo credits: Mari Mercado and Kimberly Laberge.

Another stand out performance comes from Chloe Attalla as the youngest daughter Rosie. After the first ensemble preamble to the heart of the play, she is the first character who defines her ‘present’ self to the audience via a monologue about her solo sojourn in Europe. She comes off as totally invested in what she is trying to accomplish but doesn’t understand how or why she came up short. And then her homecoming helps introduce us to the rest of the family. While Fran Price is something of the glue that holds the family together…although glue isn’t quite the right term…Chloe seems to be that actual vehicle that spreads love around and binds them together (despite being the butt of a rude family joke).

William Molitor, Photo credits: Mari Mercado and Kimberly Laberge.

And we mustn’t overlook Bob Price, the family patriarch who is ably played by William Molitor. Bob seems to have settled for doing what he thinks is ‘right’. Thirty years on the assembly line of a car plant that shut down and then working on his yard…mowing, raking, pruning, watering, fertilizing, and shoveling snow. Seasonal tasks the seem to define his life in retirement but he doesn’t know how to fill the time between finishing any of them and waiting for the need to repeat them. But even that doesn’t seem to make him happy. A classic example of ennui. And he seems to have ceded his place in the family to Fran and his roses. He doesn’t quite seem alive until his sons fracture his sense of moral and cultural norms.

As the lights came up and the actors were taking their final bows, I felt that this was the one performance that I’ve seen this season that had earned a standing ovation. Sadly that didn’t happen.

Side note on the play itself and not the performance: After experiencing two different performances now, I am not quite sure when this takes place. The parents seem to be of the generation of my parents or older siblings (very post WWII 20th Century) while the children feel more of the 21st Century.

This was a very short one weekend run, so by the time you read this it will be over. Sorry for that.

Besides the decidedly inspiring play that I experienced this past weekend, I am anxious to seeing future directing efforts by both Kimberly Laberge and Cory Fitzsimmons. I am expecting that they will present us with more challenging plays, well played and well directed.

and a reprise from my previous posting: When does your childhood end (and unspoken corollary: does parenthood ever end?)

Mark Clements “Titanic The Musical” Returns Spectacle To The Milwaukee Repertory Theater!

Given the pedigree of Titanic The Musical…five Tony Awards…Mark Clements could do no wrong bringing it to the Milwaukee Repertory Theater’s Quadracci Main Stage. Given the size of the cast and the numerous scene changes, this is a daunting production to stage and Clements made use of every inch of the Quadracci thrust stage.

And as I mentioned in the headline, this play is Spectacle. So where ever you are seated, don’t blink or you are going to miss something. And make sure the swivel in your neck is full on because in the ensemble pieces, there is action all across the stage. So it’s easy to focus on the spotlighted actor at every opportunity, but don’t forget to sweep across the stage with your eyes to make sure you take in everything that is going on. The Titanic is after all the biggest moving object of its time!

Clements needs to be applauded on the blocking and staging of this complex play. The cast seems to move effortless around each other whether during the gala and festive dining and dancing scenes, the many ensemble singing numbers, and of course the attempts to organize the evacuation of the ship during its sinking. Bravo!

But the unsung heroes here are really the scenic designer, Tim Mackabee, who’s simple (and quite mobile) but identifiable settings let us know where we were in the ship. The beautiful formal dining room, the bridge with the dramatic wheel, the various deck scenes, to the dance set, to glimpses into the first class suites as the crew wake the guests on that fateful night. And my favorite set: the radio room with the ghosts of old radio equipment and the clack clack clack of the telegraph was just quaintly defining of that older era of communications.

And the other miracle worker here is Alexander B. Tecoma, who is the costume designer. Given the size of the cast, the number of different scenic locales, and the period more than a 100 years ago, the costuming was just right and completely evocative of the time and the class differences. Something to see on its own.

And back to the characters who make up the story line of the play. Emma Rose Brooks is simply phenomenal as the Irish lass, Kate McGowan, She is determined, sure of herself, a bit wronged in the Old Country, and is set to make it right in America. One of the cleverest characters is Alice, played to the hilt by Lillian Castillo! She is sure that we are now in a new world of a classless society and she is determined to meet and greet and hobnob with the rich and famous who reside in first class. So her sometimes successful attempts provide a bit of humor as the steward tries everything possible to show her the ‘door’!

Brian Krinsky plays Jim Farrell, another Irishman heading for the new world. He doesn’t quite know what to make of Kate McGowan at first, but agrees to marry her nonetheless when SHE asks HIM!

And despite the number of romantic stories told here, maybe the most enduring…well certainly…they’ve been married 40 years…involves Philip Hoffman as Isidor Straus and Carrie Hitchcock as Ida Straus…his love match and equal in life…an endearing couple still very much in love!

But watch for Lainey Techtmann if you are fortunate to have her in your production of the play. She was Tiny Tim in last year’s A Christmas Carol and her smooth movements and antics around her parents and crew and fellow passengers will thrill your heart. She certainly has some professional chops already for someone who’s only in third grade!

So…Titanic The Musical runs from now through May 14, 2022. Here is the link for more information and to order tickets on line. There are a few other items to enjoy at that link including some short videos with the cast and director.

Extra credit reading: The PROGRAM The PLAYGUIDE and the COVID Updates at the Rep.

P.S. You will be handed a ‘boarding pass’ on entry. You can use the printed QR code to see if your passenger survived or not with a bit of back story at a kiosk in the lobby.

photo by Ed Heinzelman

all photos courtesy of the Milwaukee Repertory Theater except where noted.