Toni Stone Plays Hardball at the Milwaukee Repertory Theater!

I am struggling a bit putting together my response to the Milwaukee Repertory Theater’s production of Toni Stone written by Lydia R. Diamond. This is such an engaging play that I am afraid that I won’t do it justice.

courtesy of the Milwaukee Repertory Theater

Toni Stone the character introduces us to Toni Stone and her boys, the ball team she plays for in her opening soliloquy. Tony Stone the play fills in the details with life on a ball team and vignettes around her family and personal history. And all of our stories are told by the eight men who make up the rest of her ball team. So we have actors stretching out to play multiple characters, whether it is the white team owner, Toni’s mother, the family pastor, or her best friend and confidante, Millie!

Director Tinashe Kajese-Bolden brings out the best in the story and the best in the actors. Those playing multiple roles are able to switch characters and clearly tell the story. And the choreography gives us the feel of the agility of ballplayers and their love of them game…but there is more to that…continue reading.

The obvious story is that of a woman trying to prove she is able to compete at baseball with men. Toni Stone proves that she can do that and we see that her desire to play isn’t any less of a driving force for her than the other players on her team.

But there is a lot more going on here. This is baseball in the early 1950s, Negro League baseball, Jim Crow era baseball. So beyond the story around gender roles we have the even uglier reality of racism in America. This play is a reminder of how far we’ve come but also of how far we have to go. And on top of that the play openly displays misogyny, sexism, and sexual assault/harassment. And these are presented in direct ways that raise the blood a bit and a few scenes that are rather embarrassing. Particular the scene where the Clowns have to pantomime playing ball or perform juggling or other circus type acts as part of the ball game. sigh.

But…this isn’t all drama…there is plenty of humor to be had! There is certainly a full plate of theater here.

Kedren Spencer plays Toni Stone. And she clearly shows us the athleticism and desire that is Toni Stone. And she can also move into the complaining daughter when her mother discourages her interests in favor of somethings that are more appropriate for young women…to being a bit wary or ignorant of social mores and flirting…to being direct to pursue her baseball career…to being stubborn and unaware when she says what’s on her mind and not realizing she has hurt another’s feelings. Spencer has got to be tired by the time the play ends.

My favorite actor here is Enoch A. King who plays one of the ball players but whose main character is Millie, a prostitute who becomes a mentor and best friend to Toni Stone throughout the history covered in the play. You know exactly how Millie is feeling before she says a word. King has got her down pat…facial expressions…vocal tones and intonations…and the right sashay or stride to tell us who Millie is and how she feels about the world and how she relates to Toni.

The Rep recommends this for people 12 and older. The reason here is some adult language and adult situations. But there is a lot to learn here about American sports, culture, and society beyond the incredible story of Toni Stone.

The play continues through January 30. 2022 and runs 2 hours and 15 minutes with an intermission. Be aware of the COVID-19 protocols in effect…check here for current status.

And for extra credit reading here is the PlayGuide and Program!

Milwaukee Repertory Theater Opens Their Main Stage with Steel Magnolias!

I have never seen this play before and I hadn’t seen either of the movies, so I only had a vague idea of what to expect. Of course there would be 1980s era Southern dialect and atmosphere and I expected the one liners and overall humor…but I wasn’t quite ready for the drama and heartbreak. And after doing a bit of background on this today, I also didn’t realize that this is actually based on a true story from playwright Robert Harling’s life and the death of his sister. Thankfully, he was able to make art and reach out to us in his sorrow.

While waiting for curtain, we get to peruse Collette Pollard’s incredible set of Truvy’s beauty salon. Thankfully the script lets us know where we are because I was wondering how someone could successfully run a salon out of doors in Louisiana…but we are looking into Truvy’s place uninhibited by the walls of the car port her husband enclosed so she could support them! And we can sit and wonder how the Rep found all of the correct hair dryers and stylist stations and such as well. But this set design makes perfect sense and utilizes the Rep’s thrust stage to perfection, giving the characters space to work and the audience the sense of time and place of the story.

Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

One other thing that does not inhibit our enjoyment of the play is the male characters! They only live here through the stories and conversation of the six women who inhabit the salon. So the focus is more salient to our story…and even for those who know the movie and enjoyed it…the stage play will be a new experience to enjoy and savor.

Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

We are quickly introduced to all of the characters and the initial focus is on Shelby, the bride to be, and the customer of the day. So there’s a lot of joy here and a lot of conversation that brings out the personalities of all six women pretty quickly and we get to know the salon’s dynamic! Little do we expect there are little clues here as to the drama that is about to unfold behind the humor and how the mood will change…but the relationships strengthen and hold the women together. But Shelby will come back into focus again…and given that focus, Phoebe Gonzalez plays our Shelby to perfection as she grows and becomes aware of her own wants and needs and the focus on her own life. A very poignant and skilled transition.

And don’t forget Rebecca Hirota as Truvy Jones, who runs the salon, takes a risk on a new stylist (Annelle played by Maeve Moynihan), and provides the common ground for the disparate characters who are her customers. Ms. Hirota has clearly taken to this role as if it were originally her own!

And M’Lynn is Shelby’s mother and in the early going you don’t really expect her to step out or step up from the initial impression we catch in the early going. But she does and as the situation takes its turns for the worse, she finds a new strength and resolve and oh my goodness, Janet Ulrich Brooks reaches for those peaks of emotion and helps us deal with our grief through her efforts to deal with hers!

Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

And of course we have Ouiser played by Meg Thalken, who is the perfect curmudgeon and foil who has simply been in a bad mood for forty years! And Tami Workentin as Clairee, a recent widow who brings some ‘class’ and ‘refinement’ to the mix…and of course football! And the tentative Annelle, Maeve Moynihan, who develops into Truvy’s right hand and a forward and determined individual after being reborn in her religion. The perfect characters to round out our cast and crew in 1980s Louisiana.

So, even if you have seen the movie, seeing this play live in the Quadracci Theater will be a new and special treat that shouldn’t be missed! These women will tell you a funny and moving story live and in person!

Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

Major Milwaukee Area Art Groups Announce Proof of COVID Vaccination or Negative Test Requirements for 2021/2022 Season.

According to an article posted in the Milwaukee Journal Sentinel this morning, most major Milwaukee area arts groups and presenters will require proof of vaccination against COVID or proof of a negative test for COVID within the previous 72 hours. This policy of course coincides with similar policies being enforced by Summerfest, the Pabst Theater Group, Milwaukee Film, and any number of performers who are currently on tour. The policy will apply to all audience members 12 years and older.

This will impact the touring performances of Hamilton and of course local season offerings like the Milwaukee Repertory Theater’s A Christmas Carol and the Milwaukee Ballet’s Nutcracker.

The arts organizations who have signed on to the policy include:

  • Black Arts MKE
  • First Stage
  • Florentine Opera
  • Marcus Performing Arts Center
  • Milwaukee Ballet
  • Milwaukee Chamber Theatre
  • Milwaukee Repertory Theater
  • Milwaukee Symphony Orchestra
  • Milwaukee Youth Symphony Orchestra
  • Present Music
  • Skylight Music Theatre

“Creating a unified safety policy for our organizations follows the guidance from local and national health experts, and more importantly, it means we’re doing what’s best for our audiences to help reduce their risk of illness while keeping the arts community healthy, safe and protected,” said Milwaukee Rep executive director Chad Bauman in the statement.

Policies on masks are not part of this initiative and will be determined by the individual groups…so audience members should visit each organization’s website for current details or call to get the latest information. And the groups will offer refunds for previously purchased tickets. Contact their box offices for information.

And finally:

“I am grateful our partners have made the tough decisions to protect our residents so we can all enjoy Milwaukee’s performing arts,” said Kirsten Johnson, Milwaukee’s health commissioner.

Update 9/3/2021: I have just received an email from Renaissance Theaterworks that states they too are requiring proof of vaccination or negative tests for all audience members 12 and over, from September 1 through December 31, 2021. They are also requiring all audience members to wear a mask except when eating or drinking at the theater. Again, contact RTW directly if you have any questions.