Lovabye Dragon, A Look At Friendship Up Close And Personal

First Stage has put together one of the cutest productions for the younger set that I have seen over several seasons. And to make it even better it is in the very intimate Goodman Mainstage at the Milwaukee Youth Arts Center. The Goodman is a theater in the round so no one is far from the action. And to add to the fun many of the front row chairs have been replaced with carpet squares so the youngest among us can have a stage side front row seat! This play appeals to the 3 to 8 year olds so this seating arrangement was well met…yes it was!

Lovabye Dragon was adapted from Wisconsin author Barbara Joosse’s Dragon and Girl books by First Stage’s Executive Artistic Director Jeff Frank and Barbara Joosse with original music by The Happy Racers. And Director Marion Frank makes it all sing and come alive on stage!

Christopher Feiereisen (left) and Mac Heinrich (center) and the Magic Cast in Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

Since I don’t anticipate too many 4 year olds reading this review, I don’t think I need to hold back on any of the story. We meet Girl, a princess, celebrating her birthday with her Mother, the Queen, and Father, the King, in their castle home. After blowing out the candles on her cake which is almost immediately swept away, she opens her birthday present. It is a stuffed dragon. She laments that she asked for a real dragon and even wished for one as she was blowing out the candles on her cake. Mother and Father of course, being protective parents, outline all of the reasons that a dragon is unsafe…and you can never ever really trust a dragon. Father: “My motto is: Play it safe”. And then for safety the girl is sent to her room. She cries in sadness and frustration and her tears magically transport to the cave of a dragon, who too is lonely and in due course the dragon comes to her rescue (and his own as well).

Izze Yanovskiy (left) and Lainey Techtmann (right) in Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

And Girl suggests that they go outside and play and engage in a round of hide and seek. Girl has never been outside. But Girl hides too well and too far from the castle and night falls before they are reunited. Girl finds a treasure map in a bottle washed up on shore and they are off on a great great adventure…with challenges and new characters…and three little Viking trolls who want her gold. But here is the moral of our story…gold is friendship and our Vikings quickly understand that true friendship is truly gold.

Bree Beelow (front), Mia Raines (middle), and Owen McDonald (back) in Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

Like many First Stage productions for youngsters, this play is anchored by a number of adult actors. Bree Beelow as Mother, Jesse Weinberg as Father (and part of the dragon…more later). The most involved adult here is Christopher Feiereisen as the Troubadour. Luckily for us and Girl and Dragon, Feiereisen isn’t quite an adult in his own imagination yet. He clearly displays the youthful and playful character of a youngster, all the while framing the story for us in wonderful rhyme and dance and music. If it weren’t for the dragon, Feiereisen would be the star of the show.

(L to R) Amelia Sajdak, Penny Whitmore, and Christopher Feiereisen in Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

And as usual, the young actors are split into two casts, the Magic Cast and the Wish Cast. The named lead of course is Girl who is played by Lainey Techtmann in the Magic Cast and Amelia Sajdak in the Wish Cast. I saw the Magic Cast, and they were marvelous. Girl has the major speaking role and also performs a number of the key songs that tell the story. But from experience, no one will ever be disappointed by any cast in a First Stage production. But do keep in that if you wish to see a particular young actor, pay careful attention to which cast they are a part of and which days they perform.

Magic Cast of Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

And now, THERE ARE PUPPETS! What wonderful, what marvelous puppets. And I enjoy puppets a great deal and First Stage always uses them to great effect and has an amazing puppet workshop (see my previous posts on First Stage presentations to see a vast array of their puppetry). The major puppets are of course Dragon, operated by three actors, one working the head, one working the tail, and one serving as the legs and framework of the body. A great colorful walking dragon!

And there are a number of smaller dragons who represent the dragon in travel and the three little Viking trolls who are just as lively and incredible as our dragon. Props to puppet designer Brandon Kirkham and his helpers.

Wish Cast of Lovabye Dragon. First Stage, 2026. Photo by Paul Ruffolo.

One amazing thing I did learn: Dragons wag their tails when they are happy!

And one other feature of every First Stage production. There is always a short talk back at the end where the younger members of the audience get to ask questions of the cast. It is such fun to hear what they see and how they react to each play. This time one young lady was perplexed on what Girl’s name was. She didn’t want to accept that it was Girl. And one young man wanted to know why it took two people to work the dragon puppet. It is pretty large as is apparent in the photos. He was surprised to find out that it was actually three actors…he had missed the actor inside the body allowing the dragon to dance and walk.

First Stage’s Lovabye Dragon is at the Goodman Mainstage at the Milwaukee Youth Arts Center from now until February 15th, 2026. Additional info and tickets here.

Approximately 50 minutes with no intermission. Recommended for families with young people ages 3-8 and brave explorers of all ages.

Extra Credit Reading: Enrichment Guide! Social Narrative!

The First Stage Young Company Presents The Rose Of Treason By James Devita

Regular readers will remember that the Young Company is a group of First Stage actors generally of high school age. And they generally perform adult themed programs without any adult actors. They have done some truly amazing and challenging adult plays recently. My favorites among them have been Shakespeare’s The Tempest, Henrik Ibsen’s An Enemy Of The People, and an amazing surprise, Jacob Richmond and Brooke Maxwell’s Ride The Cyclone! I probably look forward to the Young Company season more than any of the other theater in Milwaukee,

And for their first play of the 2025/26 season, they have selected The Rose Of Treason by James Devita. Most of you probably recognize Devita. He is a lead actor and mainstay on the stages of the American Players Theatre and a novelist and playwright. First Stage had previously presented his play, The Amazing Lemonade Girl, with a large cast at the Todd Wehr Theater.

Like The Amazing Lemonade Girl, The Rose Of Treason is based on a true story. This one, a very compelling and sadly contemporary feeling dramatic narrative around the Scholl family. Set in Hitler era Germany, Mother and Father Scholl have two energetic and curious youngsters, Hans and Sophie. In their youth they enthusiastically enroll in the Hitler Youth and revel in the group experience and active events. Their parents are supportive but at times dubious about what they are ‘learning’. And despite the start of World War II, they are entitled enough to attend the university in Munich instead of being directly involved with the war effort.

(L to R) William Swoboda, Marko Van Slyke, Elliot Lippman, and Lio Landis in The Rose of Treason by James DeVita. First Stage Young Company, 2025. Photo by Paul Rufollo

But then as the war unfolds and Nazi atrocities start to become apparent, Hans and his friends at university decide to form a resistance group…calling themselves The White Rose…and publishing leaflets and encouraging others to resist their government. When Sophie arrives in Munich, Hans tries to shield her from his activities, but she is too curious and too observant to miss such goings on. And of course, she throws herself full on into the movement. SPOILER ALERT: Eventually they are discovered by the Gestapo, tried for treason in a mock trial, and summarily executed. BUT there is hope in this story…

Reiley Fitzsimmons in The Rose of Treason by James DeVita. First Stage Young Company, 2025. Photo by Paul Ruffolo.

Reiley Fitzsimmons is Sophie Scholl and she plays her with an unbounded energy and sense of nature and life. As she matures and becomes even more thoughtful it is inevitable that she would throw all of her energy into the resistance. Her older brother, Hans Scholl, is played by Marko Van Slyke. He gives us a bit of an enigma…amazingly invested in the Hitler Youth, earning accolades and awards, he teases his sister about his success there. So it seems surprising that he would so easily enlist in the resistance movement and Van Slyke gives us a very thoughtful young adult version of Hans, who does in fact take on a serious leadership role. Edward Owczarski plays Father. Owczarski tries to be a stern forceful father at times but shows himself to be a bit of a doting parent. He never yields in his support of his children even in the chilling late scenes. And Mother is given that loving parent vibe, who just wants to fuss over the details by Alice Rivera. Her studied repacking of Sophie’s suitcase as she goes off to college is a touching tribute to her motherly instincts. And Rivera carries that through during her final moments with Hans and Sophie that defy you to not to choke up.

(L to R) William Swoboda, Reiley Fitzsimmons, Marko Van Slyke, Lio Landis, and Natalie Ottman in The Rose of Treason by James DeVita. First Stage Young Company, 2025. Photo by Paul Ruffolo.

This is a large cast performance with a number of young actors playing Hans co-conspirators…active…dedicated…intelligent…and loyal to the resistance…college students. They write and publish and distribute their leaflets…and work out ploys to avoid Gestapo detection.

(L to R) Marko Van Slyke, Reiley Fitzsimmons, and Lio Landis in The Rose of Treason by James DeVita. First Stage Young Company, 2025. Photo by Paul Ruffolo.

But there is a solid chilling factor here as a number of young women play Gestapo roles…complete with military precision…Swastika armbands…and snappy Nazi salutes. There is some hope. Will we be able recognize when this happens again and how will we respond. Will we be Hans and Sophie?

One note on seating. The Goodman Mainstage Hall is generally a theater in the round. For this performance there is only seating on three sides as the fourth wall is used for a screen where photos and quotes are projected to enhance the text of the play. Since this is general admission you may want to get there early to get the best seating to view the screen. And this is a small intimate theater so you will never be more that four rows away from the actors.

The Rose Of Treason will be performed at the Milwaukee Youth Arts Center through November 16th, 2025. More information and tickets here! Approximately 90 minutes including a brief intermission

Inspired by true events, the show contains discussion and depictions of the Holocaust, Nazi party and its actions, politics, and violence; audiences may feel uncomfortable as the characters experience these things, but in the end the message of hope and truth prevails.

There will be changing lights, projections, and loud sounds that may be overwhelming for those with sensory sensitivities. We offer sensory kits for patrons who may need them

Recommended for families with young people ages 12-18 and courageous leaders of all ages

Extra Credit Reading: The Enhancement Guide

A Note To My Readers and Milwaukee’s Art Organizations!

The Milwaukee 2024 – 2025 art season was simply remarkable. I was continually surprised and challenged by the art, music, dance, and theater events that I was fortunate to experience. And I hope that it also helped me to improve my understanding of the arts and increase my ability to see. I know that I was able to expand my coverage of theater as the Milwaukee Chamber Theatre and Next Act Theatre invited me to participate in their seasons. And I want to thank the artists, performers, directors, art admins, and university professors who encouraged and supported me in 2024 – 2025. It let me know that I was adding value and moving in the right direction with my efforts at An Intuitive Perspective.

So I felt a great deal of excitement and anticipation as the 2025 – 2026 season got underway. And I was off to a great start with Next Act’s Sanctuary City and Vanguard Milwaukee’s Presentation of Lungs. And then I was called away for a family emergency and missed a few other season openers and felt a profound sense of loss. And it just reinforced in me that art is important: to the individual and to the community. I am home now and intend to jump back into the season with both feet this weekend. So for those readers looking forward to a review of your favorite theater company, I am sorry. And to those organizations looking forward to my support, I am sorry. I may get called away again, so if I seem to be missing in action, please bear with me.

So this seems like a good place to add these thoughts. Milwaukee’s arts scene is incredibly vibrant and diverse and the level of professionalism is truly remarkable. But please don’t take it for granted. As Wisconsin has slipped to 50th place in public support of the arts, please support your favorite art groups by attending every event that interests you. And donate to them in any manner and any means that you can. It is important.

I love you all!