Milwaukee Rep: Parental Advisory: a breakbeat play

Different Tribe, Different Vibe. I think that’s right, I forgot my notebook Sunday night. Although it was also presented as Different Vibe, Different Tribe, I believe as we fell under the spell of Timeless and The MC. So is that a rhyming couplet? It has the rhyme and matching meter…but is it long enough? Does it have enough syllables? Is it truly a couplet? This is important because there will be a quiz later!

So the Milwaukee Repertory Theater has finally opened their 2023/24 season in the Stiemke Studio with their World Premiere of Idris Goodwin’s Parental Advisory, a breakbeat play. And to put us off our game right up front, we enter the Stiemke by wandering around the back and entering the theater from the west (stage left) rather than the more direct east access from the lobby…and we come into a cozy recording studio/rehearsal space with all of the required electronics plus the requisite Persian carpets and sample posters/LP covers along the wall space and Timeless working his beats machine and turntables.

Marvid Quijada as Timelss, Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

And as The MC enters the scene it would seem at first that we are going to be regaled with a musical driven by rap and hip hop music, but as you will see, we will be happily wrong! First it seems we will be privy to a song development recording session, but as the conversation starts to turn to previously completed but unreleased material, the whole scene fluidly evolves into a concert…which Timeless re-imagines as a ‘salon’…to a couple confrontation…and reconciliation…to some personal histories…to music history…to cultural history…to some fun and wordplay in the studio…to that quiz as the conversation now includes the audience (the fourth wall has really taken a beating in Wisconsin theaters in 2023). So is this about Rap and Hip Hop? Well, yes and no, we do celebrate the fiftieth anniversary of Hip Hop but through the lens of lived experience of black male America and the reaction and over reaction of many others in the nation. So there is some pretty intense and biting commentary here and some of it is very pertinent to our contemporary circumstances.

Marvin Quijada and Amir Abdullah, Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

One key topic is censorship. And I bet you can guess from the play’s title, what we are initially talking about. The movement in the latter part of the 20th Century to label offensive music with the Parental Advisory label. Often unfairly and from someone who lived during the era and had been in the music business just before that period, very, very arbitrarily. And of course that Parental Advisory label which was a advisory label for parents became an imprimatur of sorts for the young audience who needed to be protected.

Which brings us around to directly focus on Timeless and The MC. They are adults now and The MC is a father of young children which leads to a pretty angst filled conversation about personal censorship…when is a child old enough to partake of edgy media content. This gets pretty interesting and I don’t think we ever come to a final decision.

Now, there are some very very funny bits in here too and if you are only somewhat aware of the history and contributions of Hip Hop to music and culture, this will provide a valuable starting point. And you will find out who put the Wu in the Wu-Tang Clan!

Marvin Quijada and Amir Abdullah, Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

Now, The MC is Amir Abdullah and his partner in rhyme (yeah I stole that) is the DJ, Timeless, played by Marvin Quijada. You are immediately at ease with these gentlemen and although you know that this is a play and that they are actors, you totally accept them as a DJ and The MC, as a successful rap team: wholly and without restrictions. And thankfully Scenic Designer Sidney Lynne’s cozy recording studio makes full use of the width of the Stiemke stage space and leaves plenty of room for Abdullah to flow across the room as he raps and as he expounds. And the console that Timeless works, gives Quijada an anchor and a foil to help with his inflections when talking with MC, while also providing musical underpinnings and examples of the topic at hand. Their timing is spot on. Director Kyle Haden got the feel and interplay between the characters, the actors, and the text precisely right!

All three Rep stages are now lit…but if only have time to catch one play this month, this is the one you should see.

Parental Advisory runs through October 29, 2023 and more info and ticket ordering can be found here.

Extra Credit Reading: PROGRAM and PLAYGUIDE.

Marvin Quijada and Amir Abdullah, Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

Milwaukee Rep’s World Premiere Rock Musical: Run Bambi Run

The Milwaukee Repertory Theater opened their main stage season in the Quadracci Powerhouse Theater with their World Premiere of their Rock Musical: Run Bambi Run. For many of you, this will ring a bell. And yes, it is a musical developed around the dramatic events in the life of Milwaukee’s Lawrencia Bembenek, particularly her conviction in the murder of her husband’s ex-wife, the turmoil around the case, the facts and fictions, the various men in her life, and her eventual escape from prison and capture in Canada.

This all started back in 2012 when the Rep’s Artistic Director, Mark Clements, engaged playwright, Eric Simonson, to write the book for a new original musical for the Milwaukee Rep. Simonson suggested the Bembenek story and he and Clements dug into the story. But they needed some help along the way and enlisted Gordon Gano, singer/songwriter from Milwaukee’s Violent Femmes, to write the lyrics and songs for the musical. So, under the direction of Mark Clements…we now have…the World Premiere of Run Bambi Run.

Erika Olson and cast. Photographer Michael Brosilow. Photo courtesy of the Milwaukee Repertory Theater.

The cast and ensemble are quite an active bunch. Everyone seems to play two or more instruments…guitars, bass guitars, accordions, drums, flutes, clarinet, cornet, trombone, violin, viola, string bass, and I am missing something here…oh yes three different types of ukulele. Plus keyboards and drums on the risers at the back of the state! So all of this provides ALL of the music during the performance. And all of this happens while dancing like dervishes and singing rock songs at 11. So, hats off to Dan Kazemi for his musical direction, Jenn Rose, Choreographer, and Stage Manager Kimberly Carolus for making sense of all of this and keeping the flow moving!!

Ripped from the headlines! And it looks like the headlines are the wallpaper each side of the proscenium and back stage wall! And it is a key part of the real star of the show…the set! Anchored in a period bar with appropriately aged red and yellowed linoleum covering the entire stage including the thrust out to the audience, Scenic Designer Scott Davis gets it real. Now the bar, ostensibly the Tracks, is represented with an old time wooden bar, high back bar stools, the aforementioned linoleum and newspapers, and stage left and stage right, a pile of musical gear cases and TVs that are used as props, exposition (on TVs), and podiums for the actors, and add flexibility to the action. Of course the linoleum floor provides the ensemble plenty of space to work their magic though out the evening.

But why is the set the star? Well Davis has to present different aspects of the Bembenek story without having to remove the bar accoutrements. So one of the hardest working ensemble casts also earn their stage hand cards by the constant trading off of instruments…but also pulling on, pushing off, assembling, discarding…from back stage, down the ramps, from corners unseen…the huge variety of tables, chairs, cells, wall, beds, etc…to move the action from bar to apartment to park to police station to jail cell to apartment to home to courtroom and back…over and over and over again. Wow!

left to right: John Carlin, Tommy Hahn, Erika Olson, Matt Daniels, Douglas Goodhart. Photographer Michael Brosilow. Photo courtesy of the Milwaukee Repertory Theater.

But where would Run Bambi Run be without Bambi. I think the Rep found the ideal actor of the role in Erika Olson. Once we were past the big opening number and Olson could settle into the character, we got a focused and determined woman who set out to achieve a number of lofty goals…some as an idealistic young woman…and others later thrust upon her. But Olson gave us a sense of person hood and energy and intention…even when Bambi sometimes made poor choices. And Olson certainly has the voice and vocal range needed to convey the message exhibited in Gano’s music and lyrics. As I said, we have the ideal actor for the role…and Olson left us no doubt about who Lawrencia is in this musical…we get the sense of a whole real person. Olson’s achievement left many of the other characters seem like caricatures.

In the last scene, Bembenek states rather sadly: ” it’s not right, it’s just not right”. To which a narrator from the ensemble adds, so is this a comedy? or is this a tragedy? or just a travesty?

My solid vote is : Travesty

ensemble cast. Photographer Michael Brosilow. Photo courtesy of the Milwaukee Repertory Theater.

Run Bambi Run continues through October 22, 2023. More information and tickets can be found here!

Extra Credit Reading: Program and Playguide.

PSA: One Day Sale On Milwaukee Rep’s A Christmas Carol at the Pabst Theater!

From this morning’s email,: the Milwaukee Repertory Theater announces their one day sale for their 2023 presentation of their classic, A Christmas Carol, at the historic Pabst Theater.

The One Day Sale is this coming Monday, September 25th. Tickets can be purchased at up to 25% OFF if you use the code FALL when ordering. There is a limit of 8 tickets per order, so plan accordingly!

The Rep’s Box Office can be accessed online starting at 7 AM, here …or by calling the box office after 9 AM: 414-224-9490!

Not sure?? Here’s a message from Mrs. Cratchit: