With ‘Go Dog Go!’, First Stage Presents Dogs At Work and Dogs At Play!

This is an absolute marvelous bit of silly! Yes!!

But before we dip into the fun, let’s talk about the serious stuff. This is a bilingual play and it’s Spanish title is Ve Perro Ve! Don’t let this intimidate you. There is no actual story and no complex dialogue. And most every line is spoken in English and then Spanish or in Spanish and then English. So worst case scenario, you learn a few more vocabulary words. And quite frankly, the story will unfold and you will have just as much fun even if you don’t speak either language.

(L to R) Sarah Zapiain, Valentina Vega, Savannah Carlson, Mia Raines, John Sajdak, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

This is the opening show in First Stage’s 40th Year. And they’ve stumped me again by presenting a play based on a children’s book that I was not familiar with. A very popular book written by P. D. Eastman which has been adapted for the stage by Allison Gregory and Steven Dietz. The work was translated by Ana Maria Campoy. This is indeed a musical and the music was composed by Michael Koerner.

So let’s get back to this marvelous bit of silly that director Michelle LoRicco has brought to the stage. First, this show is recommended for age 3 and up and LoRicco has certainly channeled her best three year old self and has clearly communicated with my inner three year old. Bravo! What that means is this show is fast moving and bright and playful and the music is warm and sincere and silly! How LoRicco blended all of the personalities of the characters and the music and the limited story is a delight for sore eyes. So I said story and no story? Well:

(L to R) John Sajdak, Valentina Vega, Charlie Machata, Sarah Zapiain, Ellie Gutierrez, and Mia Raines. Photo by Paul Ruffolo and courtesy of First Stage.

There are seven characters in Ve Perro Ve! All seven of them are dogs: red dog and blue dog and yellow dog and green dog and MC dog and spotted dog and Hattie. And maybe you could say this play is tri-lingual because sometimes the dogs speak or sing in English, and then Spanish, and sometimes in just, well…dog. And the story is just a series of skits or events that seamlessly flow from one to another. And our dogs work hard building things with their prop hammers and saws and screwdrivers. One of the best bits in the work session is riveting (pun intended), as each dog takes a turn trying to control a jack hammer. High humor indeed.

Other bits include a game of baseball, played for high humor, and high action. A car race! A visit to a carnival with a Ferris Wheel and roller coaster. A swimming session. I didn’t know that dogs could climb trees, but our favorites here manage to do exactly that. And a particularly apt segment for all of the parents and grandparents in the audience, is when the MC Dog tries to get all of the other dogs to call it a day and go to sleep, but instead we have dogs at play!

If you have been following my coverage on First Stage or are familiar with them, you know that the plays that feature their younger actors run with two casts. These casts alternate appearance dates. So if you plan on seeing a particular young actor, check in at the links below, and make sure you select a date when they will be performing before you buy your tickets. I saw the El Pequeno cast.

Sarah Zapiain. Photo by Paul Ruffolo and courtesy of First Stage.

The one character and one actor who will be present in all of the performances is MC Dog played by Sarah Zapiain. Zapiain is the only adult in the room, quite literally. She directs the other dogs in much of the action on stage, tries to get them to go to sleep, and keeps an eye on the red light/green light. She is a perfect MC Dog and just a delight from start (when she plays peek a boo with the audience) to finish in the grand finale. Her effervescence and energy are a joy to watch but keep a close eye on her, she can be subtle in her actions too.

As I said, I saw the El Pequeno cast. As always, their presence and preparation are very professional for any age actors. And this isn’t an easy play to perform, moving almost without let up from one skit to the next. And this is a musical of sorts and their solo and ensemble singing was just wonderful. There is even a song early on that injects some ‘scat style’ non-sense syllable singing and they all nailed it. As a baseball player, I loved Mia Raines’, as Yellow Dog, flawless slide into second during the baseball game. Savannah Carlson as Hattie, certainly stood out as a very confident and skilled actor. After MC Dog, Carlson’s Hattie is a stand out performance.

(L to R) Elzie Flenard . IV, Rosemary Marotta, and Sarah Zapiain. Photo by Paul Ruffolo and courtesy of First Stage.

First Stage’s prop, costume, and set designers are the best in Milwaukee. And they proved it again with Go Dog Go! It’s not that they always produce elaborate sets and costumes, but they often do. But that they always provide absolutely spot on sets and costumes that propel the story along while just using the minimum of attributes to identify the character or the scene. And their use of color is fascinating.

And for Go Dog Go!, the music was a delight as well. Driven by an accordion from that open peek a boo session to the grand dance finale, it fit the mood and action perfectly. At times the accordion was augmented with some percussion and a woodwind or two. And the music set the scene without being obvious but we would certainly miss it if it wasn’t there. That’s the sign of great music. Jessica Marks is the music director for Go Dog Go. It is her first First Stage appearance and welcome, I loved the music here.

So, let’s get back to the environment for just a moment. The Goodman Mainstage at the Milwaukee Youth Arts Center is theater in the round. So there is seating on all sides of the stage and the audience is never more than four rows away from the action. And for Go Dog Go!, the chairs for the first two rows have been removed and replaced with carpet squares so that younger guests can be closer to the action and squirm and wiggle to their heart’s content. The stage for Go Dog Go! is a simple raised oval dome, brightly painted with a street motif around the edges and a green space in the center.

(L to R) Ellie Gutierrez, Valentina Vega, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

This provides just the right setting for the ball game, car race, and sleep scenes. And is open enough to allow the entire ensemble to dance and move about freely as they tell their story. And how do I know that this all works? I just watched the preschoolers and elementary age children on those carpet squares around the room. They are completely entranced and engaged for the entire play. That was fun to see. The singing is made up of conversational songs or simple ensemble tunes, no boring arias to pull them out of the magic. And at the very end for just a few moments, the cast invited the audience on stage to join in the final dance segment. Fun to watch? Yes! But the real fun was seeing some children want to participate but afraid to go on stage, some just rushing out there, and the one little girl who had to be coaxed back to her seat by her brother when it was over! First Stage shows are always good theater and I enjoy that. But, as parent and grandparent, watching young people interact with theater is very rewarding too.

This show is for audiences of age 3 and up. And as I said above, these young people were fully engaged throughout the show. And at just an hour, they won’t have time to get restless or bored. So if you are thinking about introducing a youngster to theater for the first time or bringing them to a new show, Go Dog Go! : Ve Perro Ve! is the one for you!

First Stage will be presenting Go Dog Go! from now through November 1, 2026 at the Goodman Mainstage Hall at the Milwaukee Youth Arts Center just north of the Deer District. There is an adjacent free parking lot. Runtime: The runtime of this play is: approx. 60 minutes, with no intermission. The age recommendation of this play is: We recommend this show for ages 3+.

More information here! And ticket information here!

Extra Credit Reading: The Enrichment Guide

(L to R) Valentina Vega, Mia Raines, and Charlie Machata. Photo by Paul Ruffolo and courtesy of First Stage.

PSA: ANNOUNCING FIRST STAGE’S 40TH ANNIVERSARY SEASON

ANNOUNCING FIRST STAGE’S 40TH ANNIVERSARY SEASON
Explore Timeless Tales and New Adventures with
World Premiere Musical Winnie the Pooh: Forever Friends and more!

MILWAUKEE, Wis (March 26, 2026) – First Stage proudly announces its 2026–2027 Season, marking the organization’s 40th Anniversary with a vibrant lineup of beloved classics, imaginative adventures, and memorable family experiences.

“For 40 years, First Stage has been a place where friends and families come together to share stories that inspire conversation, imagination, wonder, and empathy,” shared Executive Artistic Director Jeff Frank. “This anniversary season celebrates timeless tales loved by all ages while inviting audiences to experience new adventures together. There’s never been a better time to make forever memories at First Stage.”

From whimsical tales to epic adventures, the 2026-2027 season offers something for every age.

GO DOG GO!  /  VE PERRO ¡VE!
October 3 – November 1, 2026  |  Ages 3+
Goodman Mainstage Hall at the Milwaukee Youth Arts Center
Ve Perro ¡Ve! comes to life on stage in a fast, funny, bilingual romp full of roller-skating, bicycle-riding, and car-driving dogs. P.D. Eastman’s classic is delightfully ridículo—and wonderfully fun for all ages!

DR. SEUSS’S HOW THE GRINCH STOLE CHRISTMAS!
November 21 – December 27, 2026  |  Ages 5+
Todd Wehr Theater at the Marcus Performing Arts Center
Experience the wit, wonder, and larger-than-life spirit audiences know and love, wrapped in toe-tapping songs and Seuss-ian spectacle. Bursting with humor, heart, and holiday magic, this musical celebration is a must-see event that invites audiences of all ages to rediscover the joy of the season.

EVERYBODY  |  Young Company Performance Project
December 4-13, 2026  |  Ages 13+
Goodman Mainstage Hall at the Milwaukee Youth Arts Center
Absurdly funny and deeply witty, this modern riff on the medieval morality play, Everyman, casts a different “Everybody” by lottery each performance, exploring life, death, and the meaning of it all.

WINNIE-THE-POOH: FOREVER FRIENDS  |  World Premiere
January 29 – February 28, 2027  |  Ages 3+
Todd Wehr Theater at the Marcus Performing Arts Center
Return to the Hundred Acre Wood in this heartwarming world premiere musical filled with friendship, imagination, and a little bit of honey. When Christopher Robin returns with his granddaughter, Winnie-the-Pooh and friends remind us that the simplest moments together can mean the very most.

THE SNOW  |  Academy Production Lab
February 12 – 21, 2027  |  Ages 7+
Goodman Mainstage Hall at the Milwaukee Youth Arts Center
When an epic snowfall traps the villagers of tiny Kishka, young Theodore Sutton comes up with a daring solution. Whimsical, humorous, mysterious, and heartfelt, this play weaves a fantastical Grimmsian tale for the entire family.

TWELFTH NIGHT  |  Young Company Performance Project
March 12 – 21, 2027  |  Ages 12+
Goodman Mainstage Hall at the Milwaukee Youth Arts Center
A sparkling comedy of love, laughter, and chaos, this Shakespearean classic invites you into a world of witty wordplay, charming characters, and twists that keep you swooning until the very last scene. 

THE LION, THE WITCH, AND THE WARDROBE
April 2 – May 2, 2027  |  Ages 8+
Wilson Theater at Vogel Hall at the Marcus Performing Arts Center
Step through the wardrobe and discover the fantastical world of Narnia like never before! In this imaginative adaptation, Peter and Lucy return to the room where their adventure began — reminding us that even the smallest among us can change the world.

BROADWAY JUNIOR REVUE: PURE IMAGINATION  |  Theater Academy Production
May 14 – 23, 2027  |  All Ages
Wilson Theater at Vogel Hall at the Marcus Performing Arts Center
Celebrate 40 years of First Stage with a brand new musical revue featuring our Theater Academy students performing songs from Broadway hits and Disney favorites, alongside stories that showcase the creativity and collaboration at the heart of First Stage since 1987.

Click here to learn more about the 2026-2027 season shows.

Families and friends can experience the magic with First Stage Family Packages, on sale now. These customizable packages allow families to choose the shows they love with maximum flexibility and savings, while unlocking exclusive perks:

  • Guaranteed lowest price all season — up to 50% savings!
  • Exclusive access and priority seat selection
  • Free and flexible ticket exchanges
  • $25 Coupon for 2026-2027 School Year Academy
  • Free Family Workshops: Pre-show education for the whole family
  • Exclusive Backstage Tours: Experience behind the scenes magic

Family Packages can purchased at firststage.org. Family Package families receive early access to seats, ensuring the best selection for the season’s most popular shows. Tickets start at $11. Single tickets go on sale May 1, when Family Package prices increase. First Stage also welcomes thousands of students and educators each season through its weekday matinee Field Trip Performances, giving young people the opportunity to experience live theater as part of their learning journey. First Stage offers affordable school matinee tickets along with classroom workshops that connect the productions to curriculum and social-emotional learning. These workshops help students explore storytelling, character, and themes before and after attending a performance, making theater an engaging extension of the classroom. Field Trips are on sale now.

Et Tu, First Stage? The Young Company Presents Julius Caesar!

There I was, on the eve of the Ides of March, sitting in the intimate main stage theater of the Milwaukee Youth Arts Center, as one of William Shakespeare’s most acclaimed tragedies begins to unfold before me and I see and hear Caesar being warned…Beware the Ides of March!!!

My regular readers will know this but I like to remind everyone that the First Stage Young Company is made up of high school age theater students who perform adult plays generally without any adults in the cast. And they perform on the main stage in the Milwaukee Youth Arts Center. This stage is a theater in the round with no more than four rows on either side, so every audience member is close to the action. And they use very minimal stage furnishings and plain and simple costuming so that they can let their actions and the text tell us some very compelling stories. But don’t think for a moment that this is anything but engaging and demanding theater. The Young Company has become my favorite theater group.

(L to R) Ben Nowacek and Abbie Cashman in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

Unlike the bigger musical productions at the Marcus Performing Arts Center, the Young Company does not have two alternating casts, so you will see the actors that I mention here.

Edward Owczarski plays an ideal Caesar. Owczarski is regal without seeming imperious but shows that his Caesar can easily be swayed by flattery and is he too ambitious? He treads that fine line that would suggest you could see that either way. Ben Nowacek is a very true and loyal son of Rome in his depiction of Brutus. Showing a bit of doubt for a moment, once he makes up his mind he is all in! I’d say Nowacek’s Brutus is more ‘imperial’ than Owczarski’s Caesar. But where does Nowacek falter fatally? In his funerary speech just before Marc Antony. And then there is Marc Antony, portrayed by Paxton Haley. Haley never waivers, never falters, and is the epitome of the faithful and determined Antony. Haley understands Antony and her version of Friends, Romans, Countrymen, rings out just as you would expect and will sway you to her cause.

(L to R) Cai Weiss and Natalie Ottman in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

But the one actor that dominated every scene she appeared in was Natalie Ottman as Cassius. Ottman is wired, on edge, determined, and strident all at once and her energy as she strode back and forth across the stage just drew the focus to her Cassius even when Brutus or Marc Antony was present.

Natalie Ottman in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

One always interesting event is part of every First Stage performance. There is a brief talk back where audience members can ask questions of the cast about the performance or the play or the preparations. This time a question asked about the director Ken Miller and how he prepared the Young Company for this very adult and tragic play. And the answer is, during the early table read throughs he encouraged the actors to read their characters in the manner they interpreted for the mood and emotions of their character. And from there he and they refined the action and characters collaboratively. So these young actors are learning more than just how to act…

(L to R) Silver Anderson and Paxton Haley in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.

The Young Company recommends Julius Caesar for families with young people ages 14-18 and Shakespeare fans of all ages!

However every young person is different and may or may not be ready for certain elements of each production. The play Julius Caesar contains descriptions and depictions of violence and self-harm.

I haven’t seen nor read Julius Caesar in quite some time. It is amazing how of the time many of the story lines here feel…sadly contemporary.

The play runs about two hours including a 15 minute intermission.

Julius Caesar is playing at the Milwaukee Youth Arts Center from now through March 22nd, 2026. Additional information including full cast listings and tickets can be found HERE!

Extra Credit Reading: The Enrichment Guide

Cai Weiss as Casca in Young Company’s Julius Caesar. First Stage, 2026. Photo by Paul Ruffolo.